 At the same time, Le Gros was already busy with another major Jesuit commission for the monumental altar relief of the "Apotheosis of the Blessed Luigi Gonzaga" in the church of Sant'Ignazio (1697–99).This altar was also designed by Pozzo, and Le Gros again had a great deal of freedom to elaborate on the composition.Building on an early idea of Pozzo's, which envisages a statue instead of a relief, Le Gros carved the figure of the saint nearly fully in the round.