 For the remaining 14 years of the Edwardes era Greenbank worked at the Gaiety Theatre, London, Daly's Theatre and later the Adelphi Theatre, contributing sometimes much and sometimes only a few lyrics to most of Edwardes's shows, including hits like "The Toreador" (1901), "A Country Girl" (1902), "The Orchid" (1903), "The Earl and the Girl" (1903), "Lady Madcap" (1904), "Véronique" (1904), "The Cingalee" (1904), "The Little Michus" (1905), "The Spring Chicken" (1905), "The Girl Behind the Counter", (1906), "The New Aladdin" (1906), "The Three Kisses" (1907), "Our Miss Gibbs" (1909), "The Quaker Girl" (1910), "The Dancing Mistress" (1912) and "The Girl From Utah" (1913).During this time, he also produced shows at other theatres, such as "Three Little Maids" (1902), "My Lady Molly" (1902), "Lady Madcap" (1904), "The Blue Moon" (1905), "See-See" (1906), "The Belle of Brittany" (1908), "A Persian Princess" (1909), "Princess Caprice" (1912) and "To-Night's the Night" (opening in New York in 1914).After Edwardes' death in 1915, Greenbank continued for a further decade to supply lyrics and occasionally libretti to the musical stage, including such shows as "Houp La!"