 From 1381, we find documentary evidence on "the fantastic and popular bestiary"; since year 1385, "biblical characters"; since year 1399, "the lifeless hagiographic characters"; since year 1402, the games or "allegorical performance representations", which already bore a certain dramatic action; from the second quarter of the 15th century, the "roques" or castles—moveable platforms in the fashion of the current floats of the [[Holy Week]]—and the "entremesos".Often enough, the ludic purposes and the catechistical purposes are mixed up with the struggle to exteriorize the municipal and the archiepiscopal powers, and generate an overwhelming growth of the spectacular nature and complexity of the Festivities.The onset of the 16th century and the outbreak of spoken dances—some of which are new while others are redefined from ancient entremesos and dances—shaped the last part of one of the structures of the festivity that essentially survived without any outstanding alterations until the onset of the 19th century.