 My brush stroke has no system at all.I hit the canvas with irregular touches of the brush, which I leave as they are.Patches of thickly laid-on color, spots of canvas left uncovered, here and there portions that are absolutely unfinished, repetitions, savageries… Working direct on the spot all the time, I try to grasp what is essential in the drawings -- later I fill in the spaces which are bounded by contours — either expressed or not, but in any case felt — with tones which are also simplified, by which I mean that all that is going to be soil will have the same violet-like tone, that the whole sky will have a blue tint, that the green vegetation will be either green-blue or green-yellow, purposefully exaggerating the yellows and blues in this case."