 But whenever she turned to the big screen she was "The Actress".Ranked absolutely equivalent to Ingrid Bergman back in Sweden at the time, both in beauty and in talent (in Sweden even considered some notches higher than Bergman as an actress) she delivered electrifying performances in films such as "Flickan och djävulen" (The Girl And The Devil) (opposite Stig Järrel) 1944, "Var sin väg" (Each To His Own Way) 1946, "Medan porten var stängd" (While The Door Was Locked) 1946 (written & directed by Hasse Ekman), "Kvinna utan ansikte" (Woman Without A Face) 1947 (with an early script by Ingmar Bergman), "Glasberget" (Mountain Of Glass) 1953 (directed by Hasse Ekman) and "Klänningen" (The Dress) 1964 (directed by Olof Molander with script by Vilgot Sjöman), among others.Her supporting part in Gunnel Lindblom's debating drama "Sally och friheten" (1981) (Sally and Freedom), about a woman dealing with the painful memories and reality of an abortion, later in life rendered her Sweden's most prestigious film award, the Guldbagge Award (the Golden Beetle), for Best Actress.