 The series takes its name from a causeway on the Isle of Skye, utilising a selection of historical processes to depict the landscape and highlight early artistic depictions and distortions of the Scottish landscape.Boyd used a series of antique drawing devices such as a black mirror and a camera lucida to make sketches, as well as drawing from memory.These drawings were then used as a basis from which to edit and manipulate photographic images also made at each location, exploring ideas of phenomenology, and questioning perception and authenticity in Scottish Art.