 To this latter class belong almost all the long romantic mesnevis of the Persian and mid Ottoman poets; in the stories of the loves of Leyla and Mecnun, Yusuf and Zuleykha, Kusrev and Shavin, Suleyman and Ebsal, and a hundred of like kind, can see pictured, if we look beneath the surface, the soul of man for God, or the yearning of the human heart after heavenly light and wisdom.There is not a character introduced into those romances but represents the passion not an incident but has some spiritual meaning.In the history of Iskender, or Alexander, we watch the noble human soul in its struggles against the powers of this world, and, when aided by God and guided by the heavenly wisdom of righteous teachers, its ultimate victory over every earthly passion, and its attainment of that point of divine serenity whence it can look calmly down on all sublunary things.