 Johnson and Turner, along with Lewis and Ammons, continued as an act after the concerts with their appearances at the Cafe Society night club, as did many of the other performers.The stage moves and musical ecstasy of the gospel performers were new to the white audience, and presaged much that appeared later in rhythm and blues and rock and roll.The recordings of the concerts commissioned by Hammond were acetate sound checks, and only transferred to tape in 1953 and released in 1959, with faked announcements recorded by Hammond the previous year.