"In his 1884 decadent novel "À Rebours ("English, "Against Nature" or "Against the Grain"), Joris-Karl Huysmans overthrew the past, subordinated nature to the human creative will, and suggested the primacy of, but inherent disillusion in, pleasure.He also identified likely candidates for the core of the Decadent movement, which he seemed to view Baudelaire as sitting above