 After seeing his own words exploited and tiring of "Le Décadent" publishing works falsely attributed to Arthur Rimbaud, however, Verlaine came to sour on Baju personally, and he eventually rejected the label, as well.Decadence continued on in France, but it was limited largely to Anatole Baju and his followers, who refined their focus even further on perverse sexuality, material extravagance, and up-ending social expectations.Far-fetched plots were acceptable if they helped generate the desired moments of salacious experience or glorification of the morbid and grotesque.