 Closest to the original is the city-dressed, money-oriented protagonist in "Django Defies Sartana", who is paired with a Django character motivated by vengeance (and justice).In "Sartana Does Not Forgive", Sartana is an avenger, while "Sartana in the Valley of Death" mostly plays out in a wilderness environment.You even find Sartana as a genre-typical Mexican bandit leader, played with usual gusto by Fernando Sancho, in "Stagecoach of the Condemned").