 The views shown appear very accurate where they can be confirmed by later pictures, or their survival to the present, and the view of Saint-Denis in particular is a valuable record of the church-furnishings of the day, all destroyed before or during the French Revolution.More specific Netherlandish connections include his adaptation of Madonna types developed by Rogier van der Weyden, evinced by the head of a lady at the Metropolitan Museum, and a "Madonna and Child", probably early, in the Louvre.To him is attributed a portrait of Philip the Handsome (Winterthur), who visited Paris in 1501, that appears to be the original version of one of the most common portrait types of this prince.