 The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on "" but three other films shot individually by either Rosher or Struss were also listed as part of the nomination.In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges.In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.