 By the 1920s she was established as a leading concert soprano.Her appearances included the Handel Festival at the Crystal Palace; a revival of Sullivan's "The Golden Legend"; "Messiah" with Sir Thomas Beecham and Malcolm Sargent; Verdi's Requiem (Sargent); Beethoven's Choral Symphony (Sir Henry J.Wood); Handel's "Solomon" (Beecham); Samuel Coleridge-Taylor's "The Song of Hiawatha" (Sargent); and Mendelssohn's "Elijah" (Sir Adrian Boult).