 This fear permeates the work from the smuggling of people by Joan's uncle to the public march of death for prisoners of the government.The theme is brought to its climax in Joan's final monologue where she describes being so afraid of the duality created by the propaganda of this new world that she has trouble walking home because she can't tell whose side a stream is on, or the grass, or the flies, etc.Matt Wolf of "Variety" wrote that the final scene of "Far Away" has "an authorial vision veering not so much toward the absurdist as the absurd", criticizing the "didactic display of societal ills [...] There’s enough latent foreboding in every second of Daldry’s production not to need such thesis-mongering".