 Similarly, the Church of La Compañia, Quito (1722–65) suggests a carved altarpiece with its richly sculpted façade and a surfeit of the Solomonic column.To the north, the richest province of 18th-century New Spain – Mexico – produced some fantastically extravagant and visually frenetic architecture known as New Spanish Churrigueresque.This ultra-Baroque approach culminates in the works of Lorenzo Rodríguez, whose masterpiece is the Sagrario Metropolitano in Mexico City (1749–69).