 While the rural Baroque of the Jesuite missions ("estancias") in Córdoba, Argentina, followed the model of Il Gesù, provincial "mestizo" (crossbred) styles emerged in Arequipa, Potosí and La Paz.In the eighteenth century, the architects of the region turned for inspiration to the Mudéjar art of medieval Spain.The late Baroque type of Peruvian façade first appears in the Church of Our Lady of La Merced, Lima (1697–1704).