 Two of the most eye-catching creations of Spanish Baroque are the energetic façades of the University of Valladolid (Diego Tomé, 1719) and Hospicio de San Fernando in Madrid (Pedro de Ribera, 1722), whose curvilinear extravagance seems to herald Antonio Gaudí and Art Nouveau.In this case as in many others, the design involves a play of tectonic and decorative elements with little relation to structure and function.However, Churrigueresque Baroque offered some of the most impressive combinations of space and light with buildings like Granada Charterhouse, considered to be the apotheosis of Churrigueresque style applied to interior spaces, or El Transparente of the Cathedral of Toledo by Narciso Tomé, where sculpture and architecture are integrated to achieve notable light dramatic effects.