 In 1981, cartoonist Hans Traxler included the parody "Anton Dvořak mit dem Kontrabaß" in his volume "Leute von Gestern".Visual artists have also picked up the topic, such as the Cologne-based Rune Mields, whose 1992 work bearing the song's title played on the contrast between Chinese arts such calligraphy, ripe with meaning and tradition, and the anarchic, childlike playfulness of the song.Yueyang Wang, a Chinese audio artist living in Germany, dealt with a more delicate facet of the lyrics in one of her installations, namely its supposed affinity to xenophobia.