 A disciple of Herrera, Juan Bautista Villalpando was influential for interpreting the recently revived text of Vitruvius to suggest the origin of the classical orders in Solomon's Temple.As Italian Baroque influences grew, they gradually superseded in popularity the restrained classicizing approach of Juan de Herrera, which had been in vogue since the late sixteenth century.As early as 1667, the façades of Granada Cathedral (by Alonso Cano) and Jaén Cathedral (by Eufrasio López de Rojas) suggest the artists' fluency in interpreting traditional motifs of Spanish cathedral architecture in the Baroque aesthetic idiom.