 When he staged the production in St. Petersburg in 1902, the composer Riccardo Drigo composed two new variations for Mathilde Kschessinskaya, who danced Kitri/Dulcinea – the famous "Variation of Kitri with the fan" for the ballet's final "pas de deux", and the "Variation of Kitri as Dulcinea" for the scene of Don Quixote's dream (these variations are still retained in modern productions and are often erroneously credited to Minkus).It is widely believed that Gorsky interpolated the "Grand Pas des toréadors" from the 1881 Petipa/Minkus ballet "Zoraiya", a piece that is still included in modern productions of "Don Quixote".However, this piece was already in "Don Quixote" by the time Gorsky came to revive it as it was found published in the ballet score in 1882.