 Another collective, Mother Art, created installations and performances that addressed the issues their members faced as both mothers and artists.Artist Sheila Levrant de Bretteville designed a necklace of an eyebolt on a chain, meant to represent "strength without a fist"; members of the FSW in 1978-79 made 500 of these necklaces to celebrate the 5th anniversary of the Woman's Building.In 1979 artists from the Woman's Building issued a nationwide call for lesbian artists to organize exhibitions of their work as part of the Great American Lesbian Art Show (GALAS).