 The Army posted Davidson to Supreme Headquarters Allied Powers in Europe, just outside Paris; and, in bohemian Montmartre, he photographed the widow of the impressionist painter Leon Fauché with her husband's paintings in an archetypal garret.She was old enough to have known Toulouse-Lautrec, Renoir and Gauguin.Davidson's resulting photo-essay, "Widow of Montmartre", was published in "Esquire" in 1958.