 When Sidney Homan was rehearsing his version of "Quad", to learn more about the piece the players improvised, what one of the actors called "a real ending, something more than the final character’s just disappearing" where the last character about the leave the stage, halts, turns, removes her hood and then, as if being beckoned by the centre, hesitantly makes her way there where the lights fade down on her.If recourse to Beckett's own attitude is necessary, it is well documented that Beckett favoured the mere physicality of his work over interpretative readings.With "Not I" he stated explicitly that he was not "unduly concerned with intelligibility.