 This new mambo included a catchy counterpoint between the trumpets and the saxophones that induced the body to move along with the rhythm, stimulated at the end of each musical phrase by a characteristic deep throat sound expression.Because his music was aimed at an audience that lived primarily outside Cuba, Pérez Prado used a large number of international influences, especially North-American, in his arrangements.This is evident in his arrangements of songs such as "Mambo Rock", "Patricia" and "Tequila", where he uses a triple meter U.S. "swing" rhythm fused with elements from Cuban rumba and son.