 She was shaken, as they had been close, but she continued to be very productive in the years leading up to 1910.An increasing sentimentality is apparent in her work of the 1900s; her work was popular with the public and the critics, but she was no longer breaking new ground, and her Impressionist colleagues who once provided stimulation and criticism were dying.She was hostile to such new developments in art as post-Impressionism, Fauvism and Cubism.