sentences:  He curated Computers & Printmaking with Tessa Sidey, for Birmingham Museums and Art Gallery 1999 and has further developed these concerns through an AHRC funded project The Personalised Surface within Fine Art Digital Printmaking.In 2001 he was appointed professor at The London Institute (now The University of the Arts London).His curatorial practice includes Digital Responses for the V&A 2002–03 and Morandi's Legacy; Influences on British Art for the Estorick Collection London and Abbot Hall Cumbria 2006, which explored his long-term interest in this Italian artist.