sentences:  Caldoro and Calista are now a happy couple, ready to be wed. Adorio resists the idea of marrying a servant girl — but Severino reveals that Mirtilla is actually of gentle birth, and equips her with a dowry that resolves Adorio's qualms.Here in "The Guardian," Massinger takes the English Renaissance stage convention of disguise and mistaken identity and carries it (Caldoro for Adorio, Mirtilla for Calista, Calypso for Iolante, Monteclaro/Laval, and the disguised King) about as far as any dramatist of the era ever managed to do.Massinger uses his play to criticize the contemporary craze for duelling, which he also writes against in "A Very Woman."