sentences:  Kate Chisholm in "The Spectator" found the show a welcome change from the "smutty jokes and banal innuendo" usually associated with the timeslot, and compared the series to Paul Merton's "Room 101", "but without the ego".Elisabeth Mahoney in "The Guardian" was critical of the second series.While praising the discussion between the guests as, "funny and flowing, and quite endearingly quirky", she found that the programme "fizzled away when it reached what ought to have been its crux