sentences:  She later became a playwright with "Le Burlador" (1946), an original reinterpretation of the myth of Don Juan from the female perspective that revealed a profound capacity for psychological analysis.She wrote two more plays, "Tous les chemins mènent au ciel" (1947), a theological drama set in a 14th-century convent, and "Le Roi lépreux" (1951), a neo-Pirandellian play about the Crusades.Her earliest essays are on the subject of the theatre.