sentences:  Lotte Eisner related to this statement, writing in 1965 that "Within this insipid plot Joe May occasionally remembers his artistic ambitions.Then we get the high-angle shot of the street where the young Fröhlich, the Führer of the crossroads, on duty as a policeman, dominates the traffic—a shot in which the German taste for ordered ornamentation comes through yet again" Critic Siegfried Kracauers's review in "Frankfurter Zeitung" conversely commented that May "has all the finesse of his craft, he accomplishes all that he wants to.There are few prose writers that can convey the posh couple’s taxi ride as tightly as he does.