sentences:  He points out that Kiarostami's use of rural locations and remote settings is reminiscent of Sohrab Sepehri’s attention to landscape as represented in his poems such as "Golestaneh", in which the poet treats the rural environment realistically and imbues it with a poetic aura.Ahmad Karimi-Hakkak of the University of Maryland discusses how one aspect of Kiarostami's cinematic style is that he is able to capture essences of Persian poetry and create poetic imagery within the landscape of his films.In "Where Is the Friend's Home?"