sentences:  Perceptions of Mora's work have evolved against the background of the Australian art scene and its changing levels of sophistication.Donald Brook, in reviewing the 1964 "Paintings by the Aleph Group" describes Mora's work as one of only two that were 'distinctively Jewish'.Robin Wallace-Crabbe in his 1968 "Canberra Times" critique 'Giving away high-mindedness' of Mora's show at the Australian Sculpture Gallery, Narrabundah, hints that though 'delightful' her work is naïve, "like a mixture of May Gibbs' 'Snugglepot and Cuddlepie' and the prevailing Melbourne style in the early fifties", while later, in 1981, Sonja Kaleski is more favourably analytical in her review 'Vibrant, Volatile Artist', in "The Canberra Times;" 
  
  Mora's works and commentary on them have appeared in "Australian Drawings" by Elwyn Lynn, "New painting, 1952-62" by John Reed, "The Vital Decade" by co-authors Geoffrey Dutton and Max Harris, and the "Encyclopedia of Australian Art" by Alan McCulloch.