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  What Dhlomo otherwise attempted to produce was a "literary drama" based on the grand themes of the deeds of past heroes, rather than stage vehicles for immediate political agitation on the stage.This kind of drama Dhlomo wrote rested on the belief that ""the tragedy of a Job, an Oedipus, a Hamlet, a Joan, a Shaka, a Nongqause, is the tragedy of all countries, all times, all races"".He thus prefigured many later African writers in the 20th century, such as Wole Soyinka, Ngũgĩ wa Thiong'o, Chinua Achebe and many others, whose bi-cultural education and background made them see the parallels between the basic mythical structures that underlie most cultures.