sentences:  Fleischmann's italic bore some resemblance to Granjean's but had longer ascenders and followed the established Dutch structures for h v and w.
  
  Fleischmann was held in great esteem by his contemporaries, his designs exerting a decisive influence in the last quarter of the 18th century.Renowned French punchcutter Pierre Simon Fournier (1712–1768), confessed to having copied Fleischmann's design, and was first to dub "contrast" types like the Fells, Caslon and Fleischmann "modern".Fournier's rococo-influenced designs—Fournier and Narcissus—and his Modèles des Caractères (1742) continued the romaine du roi style and adapted it for his own modern age.