 In keeping with their richer conception of the final end, Rand’s novels also employ a richer conception of virtue as an integrated intellectual-emotional character trait to think, feel, and act in certain ways, rather than simply as an act in light of a recognition of certain facts (Badhwar 1999, 2001). Her characters reveal their souls not only in what they say or do, notice or fail to notice, focus on or evade, on this or that occasion, but in their cognitive, emotional, and action dispositions, their style of being in the world. Their actions show not only an intellectual commitment to the right but a wholehearted “love of rectitude” (1957 [1992]: 512).