 We cannot accept it as fictionally true that Giselda did the right thing because there are no lower-level facts that are specified by the narrator or imported by us from our world to support it. (For more on export-import relations in understanding our engagement with works of fiction, see  section 2.1.2.)  The same also holds for Craig in Death on a Freeway. The claim that Craig did the right thing in killing Jack and Jill cannot hold in virtue of any of the lower-level facts that are specified in the story, such as the fact that Craig believed that Jack and Jill were the cause of the traffic jam. The higher-level facts that what Giselda or Craig did was wrong are not primitive but they obtain in virtue of lower-level facts, such as facts about the physical features of their actions (2004: 16). The fictionality puzzle arises only when there is a violation of virtue (2004: 24). This violation is responsible for the authorial breakdown. The phenomenological and imaginative puzzles follow from the incoherence created by the violation (2004: 18–20). 