 Sartre’s life has been examined by many biographies, starting with Simone de Beauvoir’s Adieux (and, subsequently, Cohen-Solal 1985; Levy 2003; Flynn 2014; Cox 2019). Sartre’s own literary “life” exemplifies trends he thematized in both Words and Being and Nothingness, summed up by his claim that “to be dead is to be prey for the living” (Sartre 1943 [1956: 543]). Sartre himself was one of the first to undertake such an autobiographical effort, via his evocation of his own childhood in Words (1964a)—in which Sartre applies to himself his method of existential psychoanalysis, thereby complicating this life/death binary.