 Finally, in light of an increasing attention to the culture-specific nature of various discourses, everyday aesthetics faces both the opportunity and challenge for situating its place in a global context. Globalization of aesthetics is actively sought particularly regarding art, as indicated by decolonizing the discourses of art, art history, and museum practice. It was explained at the beginning of this entry that everyday aesthetics’ emergence was historically and culturally situated to challenge what was considered to be art-centered aesthetics that dominated the Western aesthetics of the last century. In many cultural traditions, including those that do not have a concept equivalent to the Western notion of art, there is a long legacy of aesthetic interests and concerns permeating, informing, and guiding people’s lives, whether regarding the management of daily life, social relationships, spiritual rites, cultural activities, or creation of objects (see Higgins 1996 and Higgins, et al. 2017 for a collection of essays representing diverse non-Western aesthetic traditions). For example, the long-held Chinese tradition of “aesthetics of living” that has been practiced as a way of enhancing the quality of lived experience and contributing to people’s happiness and wellbeing, rather than conceived as an abstract theory, is receiving a renewed attention by Chinese scholars who are working on a cross-cultural dialogue (Liu 2014, 2017, 2018; Pan 2014; Q. Wang 2014). Similarly, Japanese cultural tradition is garnering an increasing interest by those who are exploring how its aesthetics goes beyond the established arts to inform people’s everyday lives (Ikegami 2005; Sasaki 2013; Otabe 2018). Researching how different cultural traditions promote their respective everyday aesthetic practices helps to highlight the cultural situatedness of some of the assumptions of Western philosophy and aesthetics, such as the relationships between art and life, the theoretical and the practical, the subject and the object, as well as between and among the aesthetic, the moral, the social, the practical, the existential, and the spiritual.