 Kant does discuss the important notion of the “motion of the subject” in a famous footnote in §26 of the Transcendental Deduction. Is that kind of motion under discussion, perhaps implicitly, in the context of the Aesthetic? Kant does not think that the “motion of the subject,” for instance in drawing a circle, is empirical, but he does think that it requires—indeed, it apparently exemplifies—the unity of the manifold of intuition imposed by the unity of consciousness. Whatever this doctrine may mean, it seems clear that from Kant’s own perspective it cannot be dealt with in the Aesthetic, for the latter text abstracts from all contributions of understanding and therefore abstracts from any consideration of the unity of the manifold imposed by the unity of understanding. (This seems to be closely related to Kant’s point in §26 that it is only from within the point of view of the Transcendental Analytic that one is able to make a distinction between what he calls space as a form of intuition and space as a formal intuition.) So from Kant’s point of view, although various kinds of motion are considered in the critical philosophy—including the so-called motion of the subject in describing a space, the motion of a mathematical point through space, and the motion of a body through space—no kind of motion can be considered within the context of the Aesthetic (see Pollok 2006).