 Contrariwise, the success of sustainable design and goods produced under humane conditions often depends upon the acceptance of new aesthetic paradigms, such as gardens consisting of wildflowers or edible plants, garments and furniture made with recycled or reused materials, and green buildings that reduce literal footprints on the land as well as carbon footprints (Walker 2006, 2017; Salwa 2019). Some work has also been done to explore the ways in which moral virtues such as respect, thoughtfulness, and humility can be expressed not only by persons but also by the aesthetic features of objects and built structures and environments (Norman 1990; Whiteley 1993, 1999; Sepänmaa 1995a, 1995b; Pallasmaa 1999; Taylor 2000; Orr 2002; Berleant 2005, 2010, 2012; Berleant and Carlson 2007; Saito 2007, 2017a). In addition, as indicated by social aesthetics, cultivation of aesthetic sensibility and practice of aesthetic skills can contribute to facilitating respectful, thoughtful, and humane social interactions