 The lyrical I, in other words projects a world view or particular way to see and experience the world as a whole. It is however not the subjective representation of an “empirical I” but the “objective form of the I” that the poem contrives (1910: 19). The lyrical I is, as it were, the esthetic expression of the individual’s unique and irreducible incommensurability in the act of symbolic representation: “For every individual is incommensurable in relation to every other” (1910: 21). The project of expressing the singularity of the individual, Susman notes, is delivered from the individual’s incommensurability by way of symbolic representation: