 A familiar characteristic of works of fiction is that they feature fictional characters: individuals whose exploits are written about in works of fiction and who make their first appearance in a work of fiction. Shakespeare’s Hamlet, for example, features the fictional character Hamlet, Doyle’s The Hound of the Baskervilles features Sherlock Holmes, Tolstoy’s Anna Karenina features Anna Karenina, and so on. All of these works feature numerous other fictional characters, of course (Ophelia and Dr Watson, for example); indeed, some works of fiction are characterized by the sheer abundance of their characters (Russian novels are often said to have this characteristic). Fictional characters belong to the class of entities variously known as fictional entities or fictional objects or ficta, a class that includes not just animate objects of fiction (fictional persons, animals, monsters, and so on) but also inanimate objects of fiction such as fictional places (Anthony Trollope’s cathedral town of Barchester and Tolkien’s home of the elves, Rivendell, for example). As stated, however, it doesn’t include entities located in the real world, although real entities do have an important role to play in works of fiction. Thus, neither London nor Napoleon are fictional entities, although the first is the quite essential backdrop to what goes on in the Holmes stories while the second plays an important role in the events described in War and Peace. (While London and Napoleon are not fictional entities, some have thought that the London of the Holmes stories and the Napoleon of War and Peace should be classed as special fictional entities. This view has recently gained some popularity: cf. Landini 1990, Bonomi 2008, Voltolini 2006, 2013, Motoarca 2014.)