 Standards of beauty are different in different eras, and in Socrates’s time beauty could easily be measured by the standard of the gods, stately, proportionate sculptures of whom had been adorning the Athenian acropolis since about the time Socrates reached the age of thirty. Good looks and proper bearing were important to a man’s political prospects, for beauty and goodness were linked in the popular imagination. The extant sources agree that Socrates was profoundly ugly, resembling a satyr more than a man—and resembling not at all the statues that turned up later in ancient times and now grace Internet sites and the covers of books. He had wide-set, bulging eyes that darted sideways and enabled him, like a crab, to see not only what was straight ahead, but what was beside him as well; a flat, upturned nose with flaring nostrils; and large fleshy lips like an ass. Socrates let his hair grow long, Spartan-style (even while Athens and Sparta were at war), and went about barefoot and unwashed, carrying a stick and looking arrogant. He didn’t change his clothes but efficiently wore in the daytime what he covered himself with at night. Something was peculiar about his gait as well, sometimes described as a swagger so intimidating that enemy soldiers kept their distance. He was impervious to the effects of alcohol and cold weather, but this made him an object of suspicion to his fellow soldiers on campaign. We can safely assume an average height (since no one mentions it at all), and a strong build, given the active life he appears to have led. Against the iconic tradition of a pot-belly, Socrates and his companions are described as going hungry (Aristophanes, Birds 1280–83). On his appearance, see Plato’s Theaetetus 143e, and Symposium 215a–c, 216c–d, 221d–e; Xenophon’s Symposium 4.19, 5.5–7; and Aristophanes’s Clouds 362. Brancusi’s oak sculpture, standing 51.25 inches including its base, captures Socrates’s appearance and strangeness in the sense that it looks different from every angle, including a second “eye” that cannot be seen if the first is in view. (See the Museum of Modern Art’s  page on Brancusi’s Socrates  which offers additional views.) Also true to Socrates’s reputation for ugliness, but less available, are the drawings of the contemporary Swiss artist, Hans Erni.