Sexually themed art should be distinguished from sexually stimulating art, i.e., art that stimulates its target audience sexually, even though it may not have had the aim to do so.  While some may find it difficult to think of any examples in this category, Sircello argues on phenomenological grounds that everything that is truly beautiful, and hence every work of art that is truly beautiful, will be experienced as sexually titillating. For instance, when he studies The Burghers of Calais, with its stooped and despondent old men, 