 As a philosophical form, the fragment reflects the conditions of modernity. In Friedrich Schlegel’s view, the hyper-reflexive expressive registers of irony and humor are particularly suited to voice the modern mindset, and are, as such, intrinsically linked to the fragment (such a view is also present in Novalis’s writings, though underemphasized in comparison with Friedrich Schlegel). Novalis’s turn to the fragment has a different philosophical motivation. The fragment questions the idea that philosophical system-building, be it of a deductive or a teleological kind, is fit to capture the nature of reality. Like Blüthenstaub—though the title was added when Friedrich Schlegel was editing Novalis’s text for publication—the fragment emerges as an intellectual seed or pollen that is meant to foster critical and independent reflection rather than presenting a system of self-contained theorizing.