  The scope of Phenomenology of Perception is characteristic of the breadth of classical phenomenology, not least because Merleau-Ponty drew (with generosity) on Husserl, Heidegger, and Sartre while fashioning his own innovative vision of phenomenology. His phenomenology addressed the role of attention in the phenomenal field, the experience of the body, the spatiality of the body, the motility of the body, the body in sexual being and in speech, other selves, temporality, and the character of freedom so important in French existentialism. Near the end of a chapter on the cogito (Descartes’ “I think, therefore I am”), Merleau-Ponty succinctly captures his embodied, existential form of phenomenology, writing: