 Beyond attending to more items and qualities for its inquiry, everyday aesthetics also raises theoretical issues that have not received adequate attention from the prevailing mainstream Western aesthetics. These include: indeterminate identity of the object of aesthetic experience due to a lack of an institutionally agreed-upon framing; changes and modifications everyday objects go through; general anonymity of the designer and creator, as well as absence of any clear authorship behind everyday objects; bodily engagements with objects and activities and their pragmatic outcome; perceived lack of criteria for aesthetic judgments. By raising these issues, everyday aesthetics challenges long-held assumptions underlying art-centered aesthetics discourse. However, everyday aesthetics advocates pose these challenges not as a way of invalidating the established aesthetics discourse. Rather, they are meant to shed new light on the prevailing discourse. Just as new forms of art often introduce qualities and values that were not considered before and enrich the artworld, as suggested by Arthur Danto, everyday aesthetics proposes to help develop the overall aesthetics discourse by adding new avenues of inquiry. Accordingly, the account of everyday aesthetics that follows will focus on these issues that have been raised to illuminate and challenge the prevailing aesthetics discourse in contemporary Western philosophy.