 If Dewey’s aesthetics can be considered as the classic for everyday aesthetics discourse, Arnold Berleant’s early works on aesthetic field and engagement continue the trajectory. Despite focusing on the experience of art and without specifically referring to the term ‘everyday aesthetics,’ Berleant’s early works provide a phenomenological account of aesthetic experience by emphasizing the interactive process between the experiencing agent and the object of experience. This notion of ‘engagement’ as a model for aesthetics is applicable to one’s experience beyond art. Indeed, his subsequent works on environmental aesthetics, both natural and built, and more recently on social aesthetics and negative aesthetics, have been consistently opening the scope of aesthetic inquiry.