 Sartre also addressed the negritude movement in his Preface to Black Orpheus (1948), an anthology of negritude poetry. He called for an anti-racist racism and saw himself as resolutely on the side of the negritude movement, but he also envisaged such interventions as a step towards ultimately revealing the category of race itself as an example of bad faith. Here the reception from Frantz Fanon and others was mixed. In Black Skin, White Masks (1952), Fanon argues this effectively undermined his own lived-experience and its power (see entries on  negritude  and  Fanon;  cf. also Gordon 1995). Sartre continued to address colonialism and racism in subsequent work, effecting a rapprochement of sorts with Fanon that culminated in his “Introduction” to Fanon’s The Wretched of the Earth (1961), where also Sartre appears to endorse a counter-violence. 