  However, Kant elsewhere argues, third, that there are crucial aspects of our moral condition that are symbolized by the beautiful rather than the sublime. He claims that the beautiful is the symbol of the morally good because there are significant parallels between our experience of beauty and the structure of morality.  Indeed, he insists that it is only insofar as the beautiful is the symbol of the morally good that we have any right not merely to predict that under ideal circumstances others should agree with our appraisals of beauty but actually to demand that they do so (CPJ, §59, 5:353). Kant adduces “several aspects of this analogy,” the most important of which is that