 While the precise characterization of creativity remains controversial (see Gaut &amp; Kieran (eds.) 2018; Paul &amp; Kaufman (eds.) 2014), contemporary philosophers typically conceive of it more broadly than Kant did. In addition to creative processes in the aesthetic realm, they also consider creative processes in, for example, “science, craft, business, technology, organizational life and everyday activities” (Gaut 2010: 1034; see also Stokes 2011). As an example, Michael Polanyi (1966) gives imagination a central role in the creative endeavor of scientific discovery, by refining and narrowing the solution space to open-ended scientific problems (see Stokes 2016: 252–256). And, in addition to creative processes of geniuses, contemporary philosophers also consider creative processes of ordinary people.