  The question of who the targets were of Tempier’s condemnation cannot be entirely separated from the question of what views were censured. As was mentioned above, Tempier did not identify the targets of his condemnation, but merely indicated that it was directed against unspecified members of the arts faculty in Paris. Even though their names appear nowhere in the document itself (and in the rubrics of only two of the many medieval manuscripts which have preserved Tempier’s condemnation), Siger of Brabant and Boethius of Dacia have been singled out as the most prominent targets of the 1277 censure.