 Strawson lacks sympathy with Kant’s description of his task as the explanation of the possibility of synthetic a priori judgements. His approach to the first Critique is instead captured by his characteristically elegant title which contains a three-fold pun. First, it is an echo of a title that Kant considered for the Critique. Second and third, it plays on the ambiguity of the word ‘sense’ which can denote both sense-experience and sense-meaning. According to Strawson, Kant sets a lower limit on sense, arguing that ‘a certain minimal structure is essential to any conception of experience which we can make truly intelligible to ourselves’ (1966, 11). And he sets an upper limit on sense, holding ‘that the attempt to extend beyond the limits of experience the use of structural concepts, or of any other concepts, leads only to claims empty of meaning’. Finally, he does all of this from ‘a point outside [the bounds of sense], a point which, if they are rightly drawn, cannot exist’ (1966, 12). This point outside the bounds of sense is Kant’s metaphysics of transcendental idealism and the ‘imaginary subject of transcendental psychology’ (1966, 32). Strawson’s analytic project is to extract what is valuable of the first two strands from the supposed incoherence of the last.