 The complexity of the digital cinema workflow draws attention to a further difference concerning whether reliance on the digital is restricted to the way an artwork is made or extends to the display of the work. A work may be made on a computer—say, a musical work composed with Sibelius or a play written in Microsoft Word—and yet meant for apprehension in a non-digital format—say, performance on traditional musical instruments or enactment on stage. Similarly, a movie could be captured and edited digitally before being printed on traditional 35mm photochemical film for projection in theaters. By contrast, works which are purely digital include a film made and projected digitally—for example, Avatar (2009), a piece of music composed and played back electronically—for example, the electroacoustic works of Gottfried Michael Koenig (see  Other Internet Resources),  and a work of ASCII art—an image made up from the 95 printable characters defined by the ASCII standard of 1963 and displayed on a computer monitor.