 In the nineteenth century, the rehabilitation of Scudéry’s intellectual reputation began. President of the Sorbonne, Victor Cousin (1858) studied how Scudery’s writings reflected the salon society of the period. Despite his own philosophical pedigree, however, Cousin evinced more interest in Scudéry’s role as salon hostess than in her own philosophical theories. The current revival of interest in Scudéry is tied to the contemporary feminist expansion of the canon of the humanities in order to include the voices of women authors who had been neglected due to misogynist bias. The new English translations and commentaries by Newman (2003) and Donawerth and Strongson (2004) focus on the writings of Scudéry treating issues of gender. Recent studies by Beasley (1990), De Jean (1991), Duggan (2017), Goldsmith (1988), Harth (1992), and Timmermans (1993) have situated the works and theories of Scudéry in the context of women’s writing, salon culture, and the various attitudes toward women in the France of early modernity. Burch (2013) examines in what sense she can be considered a philosopher, specifically a “femme philosophe” of the period. Hogg (2018) and Suzuki (2018) analyze her political theory while Duggan (2016) and Sahlins (2015) explore her approach to science. Although these contemporary editions of and commentaries on Scudéry have underscored the gendered nature of Scudéry’s philosophy, they have tended to neglect other dimensions of her thought. Scudéry’s philosophy of virtue, religion, art, and knowledge invites further exploration.