 Here again (as in the case of interpretation), not only the framework principles  (4),  (5), and  (7),  but most of these ideas about translation come from Herder. In particular, Schleiermacher’s central strategy of “bending” the target language in order to cope with conceptual incommensurability, and his point that it is also important to convey the musical aspects of an original (poetic) text in order to convey its meaning accurately, both do so. (Relevant Herderian sources here are the Fragments on Recent German Literature [1767–8] and the Popular Songs [Volkslieder] [1774 and 1778/9].)