 Another important issue regarding the term ‘aesthetics’ in everyday aesthetics is the distinction between its honorific and classificatory use. In both aesthetics discourse and common vernacular, the term ‘aesthetic’ is generally used in the honorific sense. Hence, something having an aesthetic property is generally regarded positively and gaining an aesthetic experience is understood to mean that it is a meaningful and satisfying experience. However, increasing number of everyday aestheticians return to the root meaning of ‘aesthetic’ as sensory perception gained with sensibility and imagination, whatever its evaluative valence may be. Some things strike us with powerful positive aesthetic values, as in a great work of art or a spectacular landscape, while other things do not affect us much because they are boring, non-descript, or plain. Then there are those objects and phenomena that offend or disturb us profoundly because their sensuous appearance is hideous, monstrous, or appalling, without any overall redeeming value such as an artistic message. Everyday aesthetics casts a wide net for capturing these diverse dimensions of our aesthetic life. It is noteworthy that in academic discourses outside of philosophical aesthetics, ‘aesthetics’ is often regarded in the classificatory sense, such as the aesthetics of manners, which includes both polite and rude behaviors, and the aesthetics of politics which, among other things, refers to the social and political construction of what counts as the sensible (Mandoki 2007; Rancière 2009; Vihalem 2018).