 The cinema, for instance, produces images that move, and that move in time, and it is these two aspects of film that Deleuze set out to analyze in The Movement-Image and The Time-Image: “What exactly does the cinema show us about space and time that the other arts don’t show?” Deleuze thus describes his two-volume Cinema as “a book of logic, a logic of the cinema” that sets out “to isolate certain cinematographic concepts,” concepts which are specific to the cinema, but which can only be formed philosophically. Francis Bacon: The Logic of Sensation likewise creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings, but which also find a place in “a general logic of sensation.”