 The early modern period saw the spread of knowledge in Europe of ancient geometry, particularly that of Archimedes, and a loosening of the Aristotelian grip on thinking. In regard to the problem of the continuum, the focus shifted away from metaphysics to technique, from the problem of “what indivisibles were, or whether they composed magnitudes” to “the new marvels one could accomplish with them” (Murdoch 1957: 325) through the emerging calculus and mathematical analysis. Indeed, tracing the development of the continuum concept during this period is tantamount to charting the rise of the calculus. Traditionally, geometry is the branch of mathematics concerned with the continuous and arithmetic (or algebra) with the discrete. The infinitesimal calculus that took form in the sixteenth and seventeenth centuries, which had as its primary subject matter continuous variation, may be seen as a kind of synthesis of the continuous and the discrete, with infinitesimals bridging the gap between the two. The widespread use of indivisibles and infinitesimals in the analysis of continuous variation by the mathematicians of the time testifies to the affirmation of a kind of mathematical atomism which, while logically questionable, made possible the spectacular mathematical advances with which the calculus is associated. It was thus to be the infinitesimal, rather than the infinite, that served as the mathematical stepping stone between the continuous and the discrete.