 But he then anticipates a fatal objection. Sometimes we undervalue aesthetic objects, finding them to have less value than they actually have; other times we overvalue aesthetic objects, finding them to have greater value than they actually have. The simple formulation above is consistent with undervaluation, since it is possible to take less aesthetic pleasure from an object than it has the capacity to provide, but inconsistent with overvaluation, since it is impossible to take greater aesthetic pleasure from an object than it has the capacity to provide (Beardsley 1982, 26–27). To remedy this problem, Beardsley appends a rider: