 The objection to the second proposal is this. The second proposal suggests that deliberation is not driven by experience, which places it in tension with the first proposal. Millgram responds by continuing the analogy with the painter. Imagine a painter who paints a picture that is not a copy of an existing image. Just because the painting is not a copy of an existing image does not mean there is no source of correction and constraint on it. Similarly, deliberation may involve the construction by the agent of a conception of what matters, but this does not imply that it is not informed or constrained by experience (1997, 168–169).