 Chang’s argument relies on invoking a continuum that resembles Broome’s standard configuration. Chang asks us to imagine a sequence of sculptors who are successively worse than Michelangelo until we arrive at a sculptor who is clearly worse than Mozart in terms of creativity. Chang then brings to bear the intuition that “between two evaluatively very different items, a small unidimensional difference cannot trigger incomparability where before there was comparability” (2002b, 673). In the light of this intuition, because Mozart is comparable to this bad sculptor, Mozart is also comparable to each of the sculptors in the sequence, including Michelangelo. The soundness of this so-called Chaining Argument has, however, been questioned (Boot 2009; Elson 2014a; Andersson 2016a).