  In an extended criticism of particularist accounts of the individuation and evaluation of works, Meager characterizes a work as either a spatiotemporal object or performance that manifests a pattern of elements that is the product of a person’s (or group of persons’) activity, where the activity was not a matter of copying or servile imitation, and where the object or performance is evaluated non-instrumentally. The concept of a work of art, she comments, “operates in a rather special way as a universal defined by a spatio-temporal particular, which may itself therefore be regarded as a type-universal” (1958–59, 59). According to Meager, the identity of the individual artist is not a factor of work individuation: should two different persons independently author poems that happen to consist in the same sequence of words, they have independently authored the same work, even if their motives, intentions, and contexts are strikingly different.