 The felt goodness of experience is what is intrinsically good or valuable for its own sake. It is only experience in so far as it has such value quality that is intrinsically good rather than merely extrinsically valuable for its contribution to something else that is intrinsically valuable. Value and disvalue are modes or aspects of experience to which desire and aversion are “addressed” (Lewis 1946, 403). Lewis denies that “pleasure” is adequate to the wide variety of what is found directly good in experience, and thus thinks it inadequate as a synonym for “good”. However, as Frankena (1964) argues, for Lewis directly found goodness still seems to be as natural a quality or property of certain experiences as any other qualia directly apprehended in experience. Nonetheless, the value of a stretch of experience, indeed a whole life, isn’t just the value (and disvalue) of the parts, and in AKV, Lewis criticized Bentham’s attempt at a calculus of values. For Lewis, the intrinsic value found in the experience of a symphony isn’t just the sum of the intrinsic value of the movements taken individually, but reflects the character of the symphony as a temporal Gestalt. What is ultimately good for Lewis is the quality of a life found good in the living of it. (Lewis 1952b in Lewis 1970, 179) The constituent experiences thus might have value for their own sake, but also value for their contribution to the value of the whole life of which they are parts.