 Gadamer maintains that in our experience of art, such play culminates in what he calls ‘transformation into structure.’ By this, he means that our experience of art comes to be that of a work, grasped in its ‘ideality’ or meaningfulness, in distinction from the activities involved in its presentation (such as the activity of actors presenting a drama). With our experience of such a ‘transformation into structure,’ the work of art allows us to recognize something as true (Gadamer, Truth and Method, Part I.II.1.B). He describes this interpretive experience of truth as a process of mediation, by which a claim of truth at issue in an artwork comes into view through the repeated projection and supersession of inadequate interpretations, until such mediation becomes sufficient, or ‘total.’ There is, as anyone who has experienced an artwork will confirm, no method to ensure the success of this process of repeated projection and supersession; it depends on the quality of our interpretive work, and, this quality can be enlarged by our formation of our capacities such as common sense, judgment, and taste.