 This point can be made particularly succinctly by considering again the case of emotional feelings. Such feelings involve patterns of salient viewing, we have seen; but they can also be connected to the posture of the body. For example, in standard cases, to feel fear is in part to register the tensing of the body, and in turn therefore its taking stock of a particular environment, and its making ready to act in that environment (Solomon 2003 and Pickard 2003). So the intellectual content of an emotional feeling, concerning what is deserving of attention in a given context of choice, is we might suppose realised both in a correlative structuring of the perceptual field, and in a kinaesthetic appreciation of the body’s readiness to act in that context.