 More specific concerns about the approach track the version of narrative ethics under consideration. For instance, on the historical narrative picture (the second option above), some argue there is the risk of falling back into either a version of ethics at least somewhat guided by principles, or finding oneself having to sort through incommensurable narratives with nothing to decide between them. A worry about the third option (the version on which narrative acts as a substitute for moral justification) is the threat of an objectionable subjectivism, brought on by the possibility of mistaking the narrator’s story for ethical truth. A related criticism is that this version of narrative ethics seems to prioritize individual coherence over the passing of moral judgment. Some stories, so the thought goes, may well be internally coherent, while at the same time being morally questionable (Arras 1997: 81–83).