In addition to facilitating understanding, appreciation, or use of architectural objects, experience might also play—or reflect—a constitutive role. On Scruton’s view, experience constitutes for us the architectural object as an aesthetic object (1979/2013). For Ingarden (1962), architectural experience entails not only our cognitive grasp of the built structure’s physicality but as well our grasp of its designation as a specifically architectural object rather than, say, as an arrangement of bricks that happens to have the structure of a house.