 Finally, Hanslick produces what Kivy (1990b: 7) dubbed an “argument from disagreement”. Music critics will largely concur about the beauty of various works of music, but they will disagree when asked about the feeling they represent (Hanslick 1854: chapter 2). This is once more a weak argument, as it is easy to find works of music that are consistently characterized as expressive of some emotions, and not others.