 A separate proposal for a genuine fourth relationship is Ruth Chang’s argument for “on a par” (Chang 1997; Chang 2002b). Two items are said to be on a par if neither is better than the other, their differences preclude their being equally good, and yet they are comparable. Whereas “roughly equal” is invoked to allow for comparability among alternatives that display the same respects (e.g., literary merit), “on a par” is invoked to allow for comparability between alternatives that are different in the respects that they display. Imagine comparing Mozart and Michelangelo in terms of creativity. According to Chang, neither Mozart nor Michelangelo is less creative than the other. Because the two artists display creativity in such different fields, however, it would be mistaken to judge them to be equally creative. Nevertheless, according to Chang, they are comparable with respect to creativity. Something can be said about their relative merits with respect to the same consideration. According to Chang, they are on a par.