 One way of bringing the senses under the “intentionality” umbrella, while suggesting what’s special about mental directedness, focuses on phenomena of perceptual constancy. This plays an important role in the conception of intentionality in Edmund Husserl’s phenomenology. It also figures, in a rather different way, in Tyler Burge’s 2010 conception of what it is for the senses to represent objects. We perceive things as constant with respect to some determinable (such as shape, color, or size), through fluctuation in (a) the subjective experience of them with respect to this determinable, and (b) the corresponding pattern of proximal (e.g., retinal) stimulation from them. Husserl takes the (a) type constancy-though-flux to show perceptual experience is directed at or refers to objects that go beyond (or “transcend”) it, while Burge takes the (b) sort of constancy to show perceptual states are representations of an objective realm.