 Our ordinary ways of describing our ponderings and musings tend to be graphic and not literal. They should be histories, not chronicles, and as such the plot should be told in abstraction from any particular stream-of-consciousness reports of detail we may recall. In only some cases of thinking the accomplishment of a task, if there is one, involves the thinker’s being equipped to declare his policy, scheme or theory. But there can be thinking where there is no talking or even the attempt to talk. Mozart’s thinking results in something playable, not statable; Cezanne may make mistakes but is not in error. A symphony is not composed in English or German, it has no translation, and there is no evidence for or against it. Thus, although it is an important truth that the products of thinking may be publishable truths or falsehoods (and not unshareable introspectibles), this is true for only some types of thinking (1979b, 85).