 We could say that, in many ways, Fanon’s legacy and influence outsizes his modest output as a writer. Fanon wrote for about a decade, which, in any comparison with other major thinkers, is almost no time at all. The pages produced, as well, are modest. Black Skin, White Masks and The Wretched of the Earth are substantial books composed of original chapters and analysis, but the other two works A Dying Colonialism (1959) and Toward the African Revolution (posthumously published in 1964) are comprised of short essays, preliminary analyses, and occasional pieces. While those shorter, preliminary, and occasional works are fascinating and important, they are a portrait of a thinker in motion, a thinker whose commitment to diverse and unfolding revolutionary sites required both quick takes and patient contemplation. Fanon moved very quickly through the Algerian struggle and did not hesitate to be declarative, and his work on black Africa is very much the same, albeit without the same concrete engagement and intellectual background. Yet, Fanon is also patient and reflective, something we see in the psychiatric studies that simultaneously underpin his broader analyses and suggest other productive avenues for thought.