 The aesthetics of everyday life tends to focus on the aesthetics of smaller environments as well as the common objects and the everyday activities that occupy such environments. Thus it investigates not only the aesthetic qualities of more personal environments, such as individual living spaces, for example, yards and houses (Melchionne 1998 2002, Lee 2010), but also the aesthetic dimensions of normal day-to-day experiences (Leddy 1995 2005b 1012b, Saito 2001 2008 2012 2017b, Haapala 2005, Irvin 2008a 2008b, Mandoki 2010, Maskit 2011). Moreover, it explores the aesthetic aspects of somewhat more specialized and perhaps uniquely human interests and activities, such as the appreciation of the human body (Davies 2014, Irvin 2016b, Saito 2016), of sports (Welsch 2005, Edgar 2013), and of food, cuisine, and dining (Korsmeyer 1999, Sweeney 2017, Ravasio 2018). There are major monographs that address the general topic of the aesthetics of everyday life (Mandoki 2007, Saito 2008 2017a, Leddy 2012b) as well as several collections (von Bonsdorff and Haapala 1999, Light and Smith 2005, Yuedi and Carter 2014a, Irvin 2016a) that pursue particular areas of interest and thus yield insight into and encourage the appreciation of almost every aspect of human life. However, although these various lines of research are clearly very productive, the credentials of the aesthetics of everyday life as an investigation of genuine aesthetic experiences have been challenged, debated, and defended (Dowling 2010, Melchionne 2011 2013 2014, Leddy 2012a 2014 2015, Naukkarinen 2013 2017, Carlson 2014a, Davies 2015, Puolakka 2018).