 Friedman has modified his original position in response to criticism from Emily Carson (Carson 1997), who has developed an interpretation of Kant’s theory of geometry that is Parsonsian in its anti-formalist emphasis on the epistemological and phenomenological over the logical role for intuition in mathematics. In recent work (Friedman 2000, 2010), Friedman argues that the intuition that grounds geometry is fundamentally kinematical, and is best explained by the translations and rotations that describe both the constructive action of the Euclidean geometer and the perceptual point of view of the ordinary, spatially oriented observer. This account provides a synthesis between the logical and phenomenological interpretive accounts, in large part by connecting the geometrical space that is explored by the imagination via Euclidean constructions to the perspectival space that is, according to Kant, the form of all outer sensibility. More specifically, Friedman reconciles the logical interpretation with the phenomenological by “[embedding] the purely logical understanding of geometrical constructions (as Skolem functions) within space as the pure form of our outer sensible intuition (as described in the Transcendental Aesthetic)” (Friedman 2012, n.17). Additionally, Friedman has argued against diagrammatic interpretations of Kantian intuition (Friedman 2012) and has marshalled evidence from the B-Deduction to support his understanding of the connections among geometrical construction, the space of perception, and physical space (Friedman 2020), and the relation between geometry and experience (Friedman 2015).