The dimensions of architectural experience are even larger when taking into account the full breadth of the sensual. Following a long tradition of viewing architecture through art historical lenses, Scruton focuses on architectural experience as primarily visual and static. In addition, though, other sensory modalities are factors: changes in aesthetic judgments follow changes in those other sensory experiences (Sauchelli 2012a). Such modalities among the non-visual include the tactile, aural, and olfactory.  Moreover, much architectural experience is proprioceptive, incorporating visual information into a broader set of stimuli to grasp bodily position and movement in relation to the built environment.