  With this crucial idea of seeing differently in mind, notice a related aporia that appears a bit earlier in Heidegger’s text. While developing his phenomenological critique of the way the modern conception of what “things” are implicitly structures and so distorts the aesthetic understanding of art, Heidegger observes that once this “subject-object relation is coupled with the conceptual pair form-matter,” and this conceptual matrix is combined with the “rational/irrational” and “logical/illogical” dichotomies,