 Of course, the hedonist may allow Middlemarch to be aesthetically better because of its superior structure, prose, character development, and insight; to allow this, from her point of view, is simply to allow that these are the elements in virtue of which a fully informed reader will derive greater pleasure. But here it would be good if the hedonist had an argument. Otherwise, the anti-hedonist will rightly wonder how it is that a correct and complete experience of Middlemarch will be an experience of every value-conferring feature of Middlemarch yet not an experience of the value conferred by those features. She will rightly wonder whether the hedonist fails to honor her own commitment to externalism about aesthetic value; she will rightly wonder, in other words, whether the hedonist fails to distinguish between a valuable experience and an experience of value, just as the internalist about aesthetic value fails to distinguish between a coherent and complete experience and an experience of coherence and completeness.