 Besides Henry’s book on Kandinsky (Seeing the Invisible 1988), a 1996 interview with M. Huhl and J.-M. Brohm, published under the title “Art et phénoménologie de la vie” (“Art and Phenomenology of Life”) is the best overview of Henry’s position with regard to aesthetics and the philosophy of art. This interview not only shows how Henry applies the principles of his phenomenology of life to art and aesthetics, but also illustrates such an application in the fields of painting—including the importance given to Kandinsky’s artistic work and theory—music, architecture, and literature.