 The example of the novice vs. the expert is suggestive, but what we have said so far leaves open the respective natures of sensations and seemings, as well as of how visual experiences are to be understood in relation to them. Given all of this indeterminacy, as well as the room for debate about whether we even have good reason to complicate the structure of visual experience in this way (see Chudnoff and Didomenico 2015 for criticisms), the discussion below will be framed simply in terms of visual experiences. That said, the discussion should remain applicable to experiences understood as combinations of some sort of sensations and seemings. The discussion should also in principle be adaptable to apply individually to sensations only or to seemings only, depending on the reader’s preferred category. At some key stages we will explicitly highlight where the distinction might be especially useful to apply and explore.