 The distinction between pictorial and discursive representation can be characterized in terms of the distinction between analog and digital representation (Goodman 1976). This distinction has itself been variously understood (Fodor &amp; Pylyshyn 1981, Goodman 1976, Haugeland 1981, Lewis 1971, McGinn 1989), though a widely accepted construal is that analog representation is continuous (i.e., in virtue of continuously variable properties of the representation), while digital representation is discrete (i.e., in virtue of properties a representation either has or doesn’t have) (Dretske 1981). (An analog/digital distinction may also be made with respect to cognitive processes. (Block 1983.)) On this understanding of the analog/digital distinction, imagistic representations, which represent in virtue of properties that may vary continuously (such as being more or less bright, loud, vivid, etc.), would be analog, while conceptual representations, whose properties do not vary continuously (a thought cannot be more or less about Elvis: either it is or it is not) would be digital.