 Marcel’s philosophical legacy includes lectures, journal entries and dramatic works in addition to more orthodox philosophical expression in essays and monographs. Of these various genres, Marcel was perhaps most pleased with his dramatic works. In fact, reading between the lines of his autobiographical remarks, one can discern some puzzlement and no small amount of frustration at the success of his philosophical works and the relative obscurity of his dramatic works. Complicating the diverse expression of his ideas is the fact that Marcel was a consciously unsystematic philosopher, something he realized as early as the publication of his Journal métaphysique (1927).  [1]  Nevertheless, while the diverse expression of his thought and the related lack of systematicity cause some difficulty for those interested in Marcel’s work, the main themes of his thought are present in many of his works. Especially noteworthy are: The Mystery of Being, Creative Fidelity, Homo Viator, Being and Having, Tragic Wisdom and Beyond and the concise “On the Ontological Mystery.”