 Although in our daily life we experience and appreciate (or depreciate) a certain atmosphere or ambiance quite frequently, it has not received adequate attention in the aesthetics discourse primarily because of the lack of clearly defined and delineated ‘object’ of the experience. Without a clear ‘frame’ around the object of experience, critics suggest, inter-subjective discussion of its aesthetics is not possible. Nor are there clear criteria, such as art historical conventions, that are helpful in determining what is and is not a part of the aesthetic experience (Parsons and Carlson 2008). Ambiance, air, or atmosphere is indeed subjectively-oriented in the sense that one’s experience becomes colored accordingly. However, it should also be noted that it is not purely subjective or private, as claimed by critics, insofar as it refers to objectively identifiable features of the environment and situation. Furthermore, some contemporary works of art specifically aim at creating a certain atmosphere that envelops the audience (Z. Wang 2018).