 This transformation of Shaftesbury’s notion of an internal sense is not the only consequence of Hutcheson’s rejection of the view that mind alone is beautiful. It will be recalled that it is this view—or, more particularly, the view that all beauty reduces to the beauty of the divine mind—that undergirds Shaftesbury’s aesthetic realism and hence his absolutism. But Hutcheson has neither this nor any substitute view by which to prop up an alternative version of realism, and settles hesitantly on a version of idealism, and hence relativism, that understands the idea of beauty on the model of an idea of a Lockean secondary quality: