 Montero has written on how proprioception (the capacity that lets a person know their bodily position in space) might be construed as an aesthetic sense, how mirror neurons might be part of an audience experience of this sense, and how trained dancers might make better aesthetic judges at least in part due to some of these mechanisms. (See the discussion on expertise that precedes this discussion in  Section 3.3.)  Carroll is one philosopher who has followed Montero’s research (see Carroll and Moore 2011) in his thinking about how dance and music might work together to affect our kinaesthetic responses. He has also considered (see Carroll and Seeley 2013) how Montero’s research and other research in neuroscience might bolster dance critic John Martin’s theory of “metakinetic transfer” from dance performers to audience dances. (For more on Martin’s theory of “metakinetic transfer”, which he says is due to “muscular sympathy” and “inner mimicry” see Martin 1939 and Franko 1996.)