 Three differences between this work and its predecessor are immediately apparent. First, A Thousand Plateaus has a much wider range of registers than Anti-Oedipus: cosmic, geologic, evolutionary, developmental, ethological, anthropological, mythological, historical, economic, political, literary, musical, and even more. Second, the results of the paralogisms of Anti-Oedipus become “strata” in A Thousand Plateaus: the organism (the unification and totalization of the connective synthesis of production, or the physiological register), the signifying totality or signifiance, which we can perhaps render as “signifier-ness” (the flattening or “bi-univocalizing” of the disjunctive synthesis of recording, the semiotic register), and the subject (the reification of the conjunctive synthesis of consummation, the psychological register). Finally, while Anti-Oedipus has a classical conceptual architecture, that is, chapters that develop a single argument, A Thousand Plateaus is written as a “rhizome,” that is, as allowing immediate connections between any of its points. Because of this rhizomatic structure, a traditional summary of the “theses” and arguments of A Thousand Plateaus is either downright impossible, or at best, would be much too complex to attempt in an encyclopedia article. We will therefore have to limit ourselves to the following remarks.