 A significant recent development in philosophical aesthetics has been the placing of more attention on biology. Along these lines, Alva Noë (2015) has taken a markedly Deweyan stance in discussion of art as strange tools. He writes that although we can take seeing as something that happens in the head, it is, in “Dewey’s image, a transaction of doing and undergoing” (Noë 2015: 78). He agrees with Dewey that lives are not made up of a series of sensations, but are 