 One might respond to Gadamer’s emphasis on our prior hermeneutic involvement, whether in the experience of art or elsewhere, that such involvement cannot but remain subjective simply on the grounds that it is always determined by our particular dispositions to experience things in certain ways rather than others—our involvement, one might say, is thus always based on subjective prejudice. Such an objection can be seen as a simple reiteration of the basic tendency towards subjectivism that Gadamer rejects, but Gadamer also takes issue directly with this view of prejudice and the negative connotations often associated with the notion, arguing that, rather than closing us off, our prejudices are themselves what open us up to what is to be understood. In this way Gadamer can be seen as attempting to retrieve a positive conception of prejudice (German Vorurteil) that goes back to the meaning of the term as literally a pre-judgment (from the Latin prae-judicium) that was lost during the Renaissance. In Truth and Method, Gadamer redeploys the notion of our prior hermeneutical situatedness as it is worked out in more particular fashion in Heidegger’s Being and Time (first published in 1927) in terms of the ‘fore-structures’ of understanding, that is, in terms of the anticipatory structures that allow what is to be interpreted or understood to be grasped in a preliminary fashion. The fact that understanding operates by means of such anticipatory structures means that understanding always involves what Gadamer terms the ‘anticipation of completeness’—it always involves the revisable presupposition that what is to be understood constitutes something that is understandable, that is, something that is constituted as a coherent, and therefore meaningful, whole.