 Fanon’s reflections in “Algeria’s European Minority” offer an important and insightful example of applying the anti-colonial dimensions of Black Skin, White Masks. The key anti-colonial insight in that text was how measure—the imperial function of whiteness in the Black psyche—structures the world. Liberation, in Black Skin, White Masks, looks a lot like displacing measure in the name of the questioning subject. Measure, here, means simply the ideal or standard according to which “the human” is evaluated. Fanon’s argument in Black Skin, White Masks is that “the human”, an idea that comes from the European tradition, is a fundamentally racial idea deployed as a tool of alienation for the colonized. Liberation from measure means displacing the racialized idea of the human and initiating a movement toward, then into, a new humanism. When this notion travels to Algeria in “Algeria’s European Minority”, a critical essay addressing the possibility of revolutionary Europeans in North Africa, we see how it also applies to the white minority under colonialism. The revolution in Algeria is a moment of decision for all Algerians, and pointedly so in the case of the European minority who had lived there for generations and at an elevated social and political status. The default mode, of course, would be to associate the European minority with the colonizing power: France. But Fanon argues that this is not necessarily the case and that, in fact, revolutionary solidarity across racial-national lines is possible, even necessary (and, through examples in the text, actually practiced). Algeria, then, is revealed to be as much an ideological category for identification with as it is a national, religious, or racial category. The Wretched of the Earth will explore these possibilities even further as a blueprint for the colonized global South. But Fanon is particularly meticulous in “Algeria’s European Minority”, examining in detail how each twist and turn of the psyche reflects possibilities and limits, and in that meticulousness shows the enduring insight from the opening of Black Skin, White Masks – namely, that white people are locked into whiteness, Black people into blackness. “Algeria’s European Minority” unpacks the process by which white people can unlock themselves in or be unlocked by anti-colonial struggle and revolutionary action. In that sense, the text is an important study of how what comes to be called “race traitor” politics can and should work in a revolutionary context.