 (3) invites two questions. First, what explains the fact that a picture has a particular denotation, e.g., that Goya’s portrait denotes the Duke of Wellington? Second, denotation is a relation—the relation between a name and its bearer, or between a predicate and the members of its extension. So Goodman’s theory also faces the question raised earlier about resemblance theories of depiction, regarding pictures of fictional individuals (Zeus, Pegasus), and genre pictures. If the relata of a relation must be existing particulars, then it appears that pictures of these kinds cannot denote what they depict. So how do they depict them?