 Debates about sensible qualities and their perception begin with concerns about whether sensible features can be identified with or reduced to any objective physical features. What follows has two aims. The first is to give a sense of how such debates might go in the case of audible qualities. The focus is on pitch, since pitch is often compared to color, and the case of color is well known (for discussion of similar questions concerning timbre, see Isaac 2017). The second is to point out the most salient differences and similarities between the cases of color and pitch that impact the plausibility of arguments translated from one case to the other.