 The most distinctive part of Kant’s aesthetic theory, and the part which has aroused most interest among commentators, is his account of judgments of beauty, and, more specifically, pure judgments of beauty. (Following Kant’s own usage, the expression “judgment of beauty” without qualification will refer, in what follows, to pure judgments of beauty.) The most important elements of this account are sketched here in  Section 2.1  and  Section 2.2,  and which correspond roughly to the “Analytic of the Beautiful” and the “Deduction of Pure Aesthetic Judgments” respectively.  Section 2.3  and  Section 2.4  are concerned, respectively, with interpretative issues that have arisen in connection with the account, and with criticisms which have been made of it.