 This article has not addressed the historical origin or reception of Kant’s views on aesthetics and teleology, so I mention here some readings which might serve as points of departure for the reader interested in these areas. The introduction to the Cambridge edition of the Critique of Judgment provides a useful discussion of the historical sources of the work as a whole. For a more extended account, see Zammito’s (1992) book on the origin of the Critique of Judgment. More recent work on the historical origins of Kant’s aesthetics more specifically includes Zuckert 2007b and Rueger 2009, both of which emphasize Kant’s relation to his rationalist predecessors, and Guyer 2008, which explores the influence on Kant of earlier writers on aesthetics in the empiricist tradition. Regarding the reception of Kant’s aesthetics, Guyer 2017b offers a brief but illuminating discussion of Kant’s importance to Anglo-American aesthetic theory, as illustrated by the prevalence of articles about Kant that have appeared in the Journal of Aesthetics and Art Criticism since its founding in 1941.