 David’s neo-classical history-painting has come to be a defining image of Socrates. This is curious because, while the design of the painting abounds with careful references to the primary sources, it ignores those sources’ description of Socrates himself — the ones cited in section 1 on Socrates’s strangeness — rendering the old philosopher classically handsome instead. Attending to the primary sources has led some readers to wonder whether Socrates might have had an African heritage. For example, in the 1921 “The Foolish and the Wise: Sallie Runner is Introduced to Socrates,” a short story in the NAACP journal edited by W. E. B. Du Bois, author Leila Amos Pendleton tackles the issue. Her character, a bright girl employed as a maid, responds to her employer’s account of the physical appearance of the great man born before Jesus that Miss Audrey intends to tell Sallie all about: “He was a cullod gentmun, warn’t he?” This prompts the following exchange: “Oh no, Sallie, he wasn’t colored.” “Wal, ef he been daid all dat long time, Miss Oddry, how kin yo’ tell his color?” “Why he was an Athenian, Sallie. He lived in Greece.” Nails (1989) depicted Socrates as an African village elder in a recreation of Republic 1. In the visual arts, drawings and watercolors by the Swiss artist Hans Erni resolutely portray Socrates as ugly as the sources describe him. Socrates also sometimes resonates as Black (or queer, or touched), independent of any discussion of physical attributes; this follows from his renown for refusing to be defined by the stultifying norms of his day. 