 A related question is: Does countenancing objects with indeterminate parts entail that composition be vague, i.e., that there is sometimes no matter of fact whether some things make up a whole? A popular view, much influenced by Lewis (1986b: 212), says that it does. Others, such as Morreau (2002: 338), argue instead that the link between vague parthood and vague composition is unwarranted: perhaps the de re indeterminacy of (65) is inherited by some instances of