 Bradley says in his Preface that his object is ‘mainly critical’ and that the ethical theory of his time rests on ‘preconceptions metaphysical and psychological’, which are ‘confused or even false’. In this the most Hegelian of his books, his approach is, in a series of connected essays, to work dialectically through these erroneous theories towards a proper understanding of ethics. Accordingly he tells us that the essays ‘must be read in the order in which they stand’, and a corollary of this is that the common practice of extracting one or two of them (usually the brilliantly written ‘Pleasure for Pleasure’s Sake’ and ‘My Station and Its Duties’) from the whole, on the basis of their individual merits, can result in a misleading impression of their significance within Bradley’s moral thinking: neither represents some finished position.