  In English-language philosophical publications, the earliest reference to the tale and to its implications for the ontology of art appears in Savile’s (1971) essay on Goodman’s Languages of Art (for background, see the entry on Goodman’s aesthetics). Subsequent references to the story’s philosophical implications include Walton (1973), Wollheim (1978), Goodman (1978), David K. Lewis (1978), Levinson (1980a, 2012), Ben Tilghman (1982), Susan Wilsmore (1987), Currie (1989), Jean-Marie Schaefer (1989), Michael Wreen (1990), David Davies (1991, 2010), Christopher Janaway (1992), Lamarque (1998, 2010), Jacques Morizot (1999), and the papers in Petr Kot’átko and Karel Cisar (2004).