 When used in a broad way, “qualia” picks out whatever qualities a state of mind has which constitute the state of mind’s having the phenomenal character it has. In this broad sense, any phenomenally conscious state of mind has qualia. (This is the way the term is used in, e.g., Chalmers (1996)). Used in a narrow way, however, qualia are non-intentional, intrinsic properties of experience: properties which have no intentional or representational aspects whatsoever. To use Gilbert Harman’s apt metaphor, qualia in this sense are “mental paint” properties (1990). Harman rejects mental paint, but the idea of experience as involving mental paint is defended by Block (2004)).