In the 1916 Aesthetics, Lukács adopts a more radical version of this Neo-Kantian argument: whereas the reality of everyday life is characterized by a heterogeneity of forms of objects, the aesthetic sphere of validity is characterized by a distinct form of objectivity that is legislated as a norm by experience itself. Thus, the contrast between everyday life and art is not one between experience and validity but between the heterogeneity of everyday life and the homogeneous form appropriate to the autonomy of experience (GW 17: 36). Consequently, in comparison to the logical and ethical spheres of validity, aesthetics has a distinct status. While in these other spheres of validity, objective norms and subjective attitudes are fully separable, the autonomy of experience legislates a normative standard that involves a specific relationship between subjective experience and objective norm.