 As was the case with her Everyday Aesthetics, Saito’s recent monograph, Aesthetics of the Familiar: Everyday Life and World-Making (2017a) includes extensive discussion of Japanese aesthetics. However, the first explicitly and specifically multi-cultural exploration of everyday aesthetics appeared in the form of an anthology, Aesthetics of Everyday Life: East and West (2014), edited by Liu Yuedi and Curtis Carter, with a number of pieces on Chinese aesthetics. Similar to the case of European languages, most Anglophone readers lack the language ability to access many works on Chinese aesthetics written in Chinese. English language papers included in this anthology and other journal articles by scholars provide a good entry into a rich legacy of living aesthetics in the Chinese tradition that is garnering a renewed attention today. Finally, although not specifically dedicated to everyday aesthetics, many essays collected in the Special Volume 3 of Contemporary Aesthetics (2011) on Aesthetics and the Arts of Southeast Asia, the same journal’s Special Volume 6 (2018) on Aesthetic Consciousness in East Asia, and Artistic Visions and the Promise of Beauty: Cross Cultural Perspectives (Higgins, et al 2017) provide valuable resources for non-Western aesthetics.