 In summary, if disenchantment is a source of environmentally destructive or uncaring attitudes, then both the aesthetic and the animist/panpsychist re-enchantment of the world are intended to offer an antidote to such attitudes, and perhaps also inspirations for new forms of managing and designing for sustainability. The general project of re-enchanting the world has surprising resonances with the views of others who draw more explicitly on scientific understandings of life on earth. Earth systems science, for example, draws on the Gaia hypothesis proposed by James Lovelock (Lovelock 1972, 1979) suggesting that living things acting together regulate significant aspects of the global environment (Lovelock and Margulis 1974). Later writers describe the Gaia hypothesis as conjecturing that something overlooked by previous scientific thinking was of vital importance to understanding the one thing that supports all life on earth, namely a great stabilizing feedback system which regulates itself in a way that maintains the habitability of the planet (Lenton et al. 2020). This feedback system is itself under threat from a changing climate, human overpopulation and reductions in biodiversity (see further section 6 below and also Latour 2017). In place of a vision of a grand cosmic self, champions of Gaia theory argue for recognizing the value of Life itself, where the capital "L" draws attention to the great feedback system—a single entity comprising all the living things descended from the last universal common ancestor (Mariscal and Dolittle 2008).