 Drawing on Feinberg's Stone Butch Blues, Prosser argues that transgender (construed as a departure from traditional transsexuality) likewise involves a narrative structure. In this case, however, the narrative involves making a home of the in-between space between man and woman (1995, 500). Since, however, it involves more than mere performance (i.e., dysphoria concerning one's body) as well as the centrality of narrative, it ought to be distinguished from generic understandings of queer. He later alters his view slightly, placing transgender in a liminal space between queer and transsexual, admitting far more ambivalence around the notion of home and belonging (1998, 177).