 Over the course of the twentieth century, Anglophone philosophy of music produced various accounts of music’s relationship to the emotions. In addition to the contributions of Langer and those of analytic philosophers (see  §2.3  and  §2.6),  it is important to mention the views put forward by psychologist Carroll C. Pratt (1894–1979) and musicologists Leonard B. Meyer (1918–2007) and Deryck Cooke (1919–1976).