  Two numerically distinct tokens of the same “verbally identical” text-type could be generated by different literary authors—Menard and Cervantes—working in significantly different artistic contexts. These could, then, be the texts of two artistically different works. Ergo, the work is not the text. Turning from literature to music, Savile asks us to imagine a case where Stockhausen independently composes “an ode notationally and semantically identical” with a composition by Stamitz. Savile proposes that “We should certainly not say that they had composed the same work, for the way in which it would be appropriate to hear them would be quite different” (1971, 23; cf. Levinson 1980a).