 Commentators have also discussed Kant’s ranking of the fine arts, and particularly of the low ranking he accords to music; on the latter topic, see for example Weatherston (1996), Parret (1998b), Kivy (2009: ch. 2), Tuna (2018), and Küplen (2021). Kant’s views on music have sometimes been criticized as incoherent; Matherne (2014) offers a explicit defence.