  As the human subject turns its subjectivist impulse to control the objective world back onto itself in such neuroscientific experimentation, aesthetics increasingly becomes just one more approach reinforcing the technological “enframing” of all reality. Heidegger thus reaches a harsh verdict: Aesthetic “experience is the element in which art dies. This dying goes on for so long that it takes several centuries” (PLT 79/GA5  67).[27] Fortunately, Heidegger’s prognosis is not as bleak as this apparent death sentence suggests. That art is slowly dying as aesthetics, he clarifies in a later addition,