 Following the canonical model introduced into eighteenth-century aesthetics by Burke and transmitted into Germany by Mendelssohn, Kant divides the first half of the Critique of the Power of Judgment, the “Critique of the Aesthetic Power of Judgment,” into two main parts, the “Analytic of the Beautiful” and the “Analytic of the Sublime.” But Kant actually analyzes three main forms of aesthetic experience—the experience of beauty, paradigmatically natural beauty; the experience of the sublime, again paradigmatically of sublimity in nature; and the experience of fine art—and each of these forms of aesthetic experience ultimately reveals distinctive connections to morality.