 Debates surrounding what constitutes ‘aesthetics’ in everyday aesthetics are not unique to this discourse. The nature of aesthetics has been a perennial point of contention in aesthetics at large, whether regarding fine arts, nature, popular culture or everyday objects and activities (see in particular the entries on the Concept of the Aesthetic and Dewey’s Aesthetics). However, there are at least two points of particular interest and significance regarding the notion of ‘aesthetics’ in everyday aesthetics. First is the status of bodily sensations. They can be felt by us as we receive sensory stimulation such as the wafting smell of baked goods, the sensation of silk against our skin, the taste of sushi, or the feeling of massage. They can also result from bodily activities, such as running, chopping vegetables, using tools, or mowing the lawn. The debate regarding whether or not these bodily sensations belong to the realm of aesthetics proper is not new. The best-known classical treatment of this issue is Immanuel Kant’s distinction between the beautiful and the agreeable or the pleasant. Many contemporary art projects also give rise to this discussion through the creation of olfactory art, art happenings that include cooking and eating, and participatory art that requires the audience’s bodily engagement. However, the issue becomes more acute with everyday aesthetics because our daily experience is permeated by sensory experiences and bodily activities (see Sections 7 and 8 for further discussion).