 Stock (2017) also proposes a version of mismatch cantianism. She argues that imaginative resistance arises in very particular pragmatic contexts which contain invitations not to imagine per se but to counterfactually imagine. Invitations to counterfactually imagine usually involve narrators implying the appropriateness of counterfactual beliefs about what would follow from some of the initial premises in the work of fiction. Counterfactual imagining is a tool that narrators have used to make their audience take on new beliefs: If the imaginers accept all the premises in the work of fiction they will arrive at a new belief, usually a new moral belief. Stock gives the examples of 