 In the seventeenth century, the explanation of the workings of nature in terms of elegant physical laws suggested the ingenuity of a divine designer. The design argument reached its peak during the seventeenth and early eighteenth century (McGrath 2011). For example, Samuel Clarke (1705: part XI, cited in Schliesser 2012: 451) proposed an a posteriori argument from design by appealing to Newtonian science, calling attention to the 