 The difficulty of accounting for the aesthetics involved in these activities from the participants’ perspective is the same difficulty facing ambient aesthetics: the lack of clear delineation of object-hood of aesthetic experience. The constituents of an aesthetic object are more or less clear in the case of a painting or a flower garden appreciated from the spectator’s point of view. Furthermore, there is an object one can point to for intersubjectivity. However, there is no equivalent ‘object’ of aesthetic experience when it comes to an activity one undertakes. This lack, according to some thinkers, signals the demise of any reasonable discussion as the subject matter becomes hopelessly private with little possibility of intersubjective discourse. While we can meaningfully debate the aesthetic merit of a painting or a flower garden by giving reasons to justify our judgment, it is difficult to imagine an equivalent discussion of my experience of bodily engagement when executing brush ink painting or digging the ground and planting flowers for the flower garden.