 In theological constructions, Rosemary Ruether (1983 [1993]) has worked with the unpronounceable written symbol “God/ess” to connote the “encompassing matrix of our being” that transcends patriarchal limitations and signals redemptive experience for women as well as for men. Modelling God for a nuclear age, Sallie McFague (1987) has experimented with metaphors of God as Mother, Lover, and Friend of the world, with the world conceived of as God’s own body. Correlating Paul Tillich’s notion of the power of being with the empowerment women know in freeing themselves from patriarchy, the early Mary Daly (1973 [1985]) posited God as “Verb”, a dynamic becoming process that energizes all things. Using process philosophy’s categories, Marjorie Suchocki (1982, 1988) has given new resonance to the meaning of Whitehead’s metaphors of God as “the lure for feeling” whose “power of persuasion” aims to effect justice and peace. Blurring the lines between psychological, somatic, and religious experiences, Ruether (1983 [1993]) has projected an image of “the feminine divine” grounded in the morphology of women’s bodies in all their multiplicity and fluidity.