 If we take this as asserting the primacy of sentence meaning—glossing over the anti-abstraction remark which is tantamount to a denial of syntactic compositionality—then together with (3) a denial of what in modern terms would be distinction between semantic and expressive meaning, or perhaps in Fregean terms sense and tone, then it is not obvious that the resulting picture of language would not apply equally to, for example, drawing. In that case, just as drawings cannot be translated, so linguistic translation is impossible (though for certain purposes, naturally, we can translate ‘relatively’; Aes. 68).