  If one interprets this passage as espousing the view that the only really free choice an individual has is to affirm or negate the will to live after one has gained self-knowledge, then one can see a great ethical significance for art and aesthetic experience in its cognitive dimension in this thought, for it is only by way of aesthetic experience that one gains intuitive knowledge of the Ideas, or, in the case of music, of the nature of the will itself. Music especially involves feeling universal emotions, emotions shorn of particular context, motive or individual. In so far as we feel connected to all others on the level of feeling, then music has a direct connection with Schopenhauer’s ethics of compassion, for the feeling that we are indeed not ultimately separate individuals but are rather unified in the in-itself of the world constitutes the basic intuitive knowledge at the root of the ethical attitude of compassion.