 Poincaré’s writings influenced artists (Henderson 1983), especially the cubist movement which associated their artistic approach to that occupied by non-Euclidean geometries in the history of geometry. In “the mathematician of Cubism” Maurice Princet closely studied the work of Poincaré (Décimo 2006) and how he influenced Picasso among others, and Albert Gleizes and Jean Metzinger (1912), the authors of the famous treatise “Du Cubisme” that provides theory to the artistic movement. Poincaré’s work combines the sensations produced by movement with the sense of touch (as in Science and Hypothesis) to create the fourth dimension. Maurits Cornelis Escher uses a paving motif of the Poincaré disk of the hyperbolic plane in order to represent an infinite structure in a finite space (see Dunham 2010 (Other Internet Resources), Figure 3, p. 3). Poincaré also directly influenced James Joyce, who experimented with non-linearity and topology in his depiction of events in his literature (McMorran 2020).