 Much of Kant’s aesthetics and theory of teleology is developed without any explicit reference to the faculty of judgment, and the “Critique of Aesthetic Judgment” makes no mention of reflective judgment as it figures in empirical scientific enquiry (in fact, the term “reflective judgment” does not appear in the “Critique of Aesthetic Judgment” at all). The only suggestion in the “Critique of Aesthetic Judgment” of an important role for the faculty of judgment in Kant’s aesthetics is in the Deduction of Taste, where he describes the principle of taste as the “subjective principle of judgment in general” (§35, 286) and suggests that the relation of aesthetic judgment specifically to the faculty of judgment in general is crucial for the legitimacy of judgments of beauty (§38, 290). Accordingly, much of the secondary literature on Kant’s aesthetics has treated it in isolation from the more general account of judgment in which it is embedded, and the same is true, perhaps to an even greater extent, in the case of Kant’s teleology. Conversely, discussions of Kant’s “theory of judgment” have typically taken little or no account of Kant’s treatment of judgment in the third Critique, suggesting thereby that Kant’s views on judgment are exhausted by his account of cognitive (in particular non-aesthetic) judgments in the Critique of Pure Reason and the Logic. (The article  “Kant’s Theory of Judgment”  in the present Encyclopedia [Hanna 2004 [2018]] is one example.)