 In that same year, 1798, A.W. Schlegel started giving Lectures at the University of Jena. He also continued his translation of the works of Shakespeare (1797–1810), but on the whole his new involvement with the university meant that his presence in the Athenaeum would suffer, as did his marriage (Paulin 2016: 126). In 1801 Schlegel moved alone to Berlin, where he also lectured on literature and art at the University. Both his Jena (1798–1799) and his Berlin Lectures (1801–1804) were highly didactic while at the same time interspersed with important philosophical insights. So, as well as providing a comprehensive vision of the history of European literature, poetry, and mythology, Schlegel presented a new critical and philosophical (i.e., systematic) approach to art and its history. Some of these lectures were published in literary journals, until 1884 when they were posthumously collected as Vorlesungen über philosophische Kunstlehere (Lectures on Philosophical Art Education) and Vorlesungen über schöne Literatur und Kunst (Lectures on Fine Art and Literature) respectively. Four years later, in Vienna, Schlegel delivered another series of lectures elaborating upon some of the ideas he had developed in his previous work. A literal transcription of these lectures was published between 1809 and 1811 as Vorlesungen über dramatische Kunst und Literatur (A Course of Lectures on Dramatic Art and Literature). A more extended version of his Course of Lectures was published in an 1816 edition: by that time, they had already been translated into English, French, Dutch, and Italian and had obtained a wide circulation. Later Schlegel shows awareness of the fact that he was read “not only from Cadiz to St. Petersburg, but in North America as well and even as far as Asia” (Paulin 2016: 561). Indeed, the successful circulation of his Vienna Lectures facilitated the dissemination of the fundamental ideas underlying the Romantic Movement throughout Europe, and helped to solidify Schlegel’s influence and reputation as a critic.