 Another notable figure in this respect is Johanna Charlotte Unzer (née Ziegler, 1725–82), who was raised in an intellectual family in Halle: her uncle J. G. Krüger (1715–59) was a well-known Wolffian scientist, and Baumgarten’s student G. F. Meier was a close family friend. Unzer herself would become a renowned poet, though she produced a highly original philosophical contribution to Wolffian thought in her Grundriß einer Weltweisheit für das Frauenzimmer (Outline of a Philosophy for the Lady) of 1751. In that text, Unzer seeks to present the doctrines of Leibnizian-Wolffian logic and metaphysics in an aesthetically perfect manner, often making use of poetry to provide a moving illustration of an otherwise abstruse theorem. In the process, Unzer grants German women access to the most challenging and controversial philosophical debates of her time (including Wolff’s account of scientific reasoning, the challenge of materialism, and the Leibnizian doctrine of monads) with the express intention of equipping her female readers to engage in speculative and scientific investigations themselves. At the same time, she offers a dynamic revision and re-orientation of the Wolffian philosophy which, significantly, attempts to carve out a space for the (as yet unfounded) discipline of aesthetics (Buchenau 2021).