 On the surface of it, like Wang Bi, Zhu Xi appears to use the Yijing to provoke readers to reflect on their surroundings. However, there is one fundamental difference. For Zhu Xi, a reading of the Yijing does not necessarily answer all questions or solve all problems. Rather, it heightens the reader’s sensitivity to the uncertainty and serendipity of human existence. For instance, Ge ䷰ (Radical Change, #49) and Ding ䷱ (The Cauldron, #50) are known for highlighting the anxiety and fear in a drastic political change. In Ge, the reader is encouraged to lead a revolt against a tyrant ruler who is causing harm to the public. To underscore the urgency of addressing the political crisis, the revolt is compared to the renewal of lives in seasonal changes; it is paired with the pivotal event of the Shang dynasty being replaced by the Zhou dynasty. Above all, it is described as a timely intervention in human affairs to restore order for the benefit of the masses (for a translation of Ge, see WB: 189–192). While Ge advocates a regime change, Ding demands the restoration of political order immediately following the revolt. Graphically, the six lines of Ding ䷱ resemble a cauldron—the bottom line represents the legs of the cauldron; the second to fourth lines symbolize the belly of the cauldron; the fifth line denotes the ears of the cauldron, and the top line suggests the bar that carries the cauldron from place to place. Thus, the reader is encouraged to clean the cauldron to make food, or, in the aftermath of a regime change, to immediately re-establish the political order (for a translation of Ding, see WB: 195–97).