 Anne Eaton explores the production and marketing of feminist pornography and argues that, just as conventional pornography shapes our erotic tastes in ways that reinforce patriarchal values, it can and should be co-opted for feminist purposes. Pornography can be produced so that it eroticizes sexual practices and relationships that reflect egalitarian values (Eaton 2017; see also Stewart 2019). Robin Zheng explores the work of women of color in the pornography industry, and considers the capacity of pornography to both reinforce and resist racist stereotypes and aesthetic values. Countering the arguments of those who allege that risks of participating in the porn industry outweigh the benefits, Zheng writes “if we must wait until the patriarchy is ... dismantled for morally pure sexual pleasures, then we will be allowed no pleasures at all. Moreover, we will not be engaged in the sort of experimentation and play—which, to be sure, may initially lead to more mistakes than successes—that will ultimately lead to the transformative pornography that feminists have so longed for. While we can certainly critique particular elements and works of pornography, pornographies as market industries and forms of cultural production will continue to play an important role in facilitating the development and cultivation of the active sexual selves that we wish to be…” (Zheng 2017).