 In his later work, Adorno advocates a re-enchanting aesthetic attitude of “sensuous immediacy” towards nature. Not only do we stop seeing nature as primarily, or simply, an object of consumption, we are also able to be directly and spontaneously acquainted with nature without interventions from our rational faculties. According to Adorno, works of art, like natural things, always involve an “excess”, something more than their mere materiality and exchange value (see Vogel 1996, ch. 4.4 for a detailed discussion of Adorno’s views on art, labour and domination). The re-enchantment of the world through aesthetic experience, he argues, is also at the same time a re-enchantment of human lives and purposes. Adorno’s work remains largely unexplored in mainstream environmental philosophy, although the idea of applying critical theory (embracing techniques of deconstruction, psychoanalysis and radical social criticism) to both environmental issues and the writings of various ethical and political theorists has spawned the field of “écocritique” or “ecocriticism” (Vogel 1996, Luke 1997, van Wyk 1997, Dryzek 1997, Garrard 2014).