 Creative Evolution appeared in 1907 and was not only the source of the “Bergson legend,” as well as of numerous, lively academic and public controversies centering on his philosophy and his role as an intellectual. The beginning of the next decade is the apex of the “Bergsonian cult” (“le Bergson boom”). Creative Evolution was translated into English. Bertrand Russell (who publishes an article entitled “The Philosophy in Bergson” in The Monist in 1912) objected that Bergson wants to turn us into bees with the notion of intuition. Russell also noted that any attempt at classifying Bergson would fail, as his philosophy cuts across all divisions, whether empiricist, realist or idealist (Soulez et Worms 2002, p. 124). Bergson’s lectures at the Collège de France were filled to capacity, not only with society ladies and their suitors, but also with a whole generation of philosophy students (Étienne Gilson and Jean Wahl among others) and poets such as T.S. Eliot.