 Though most philosophers construe sounds either as properties or as event-like individuals (see section  2.1 Sounds),  psychologists commonly have discussed auditory objects (see, e.g., Kubovy and Van Valkenburg 2001, Griffiths and Warren 2004, Heald et al. 2017). The target of such discussion is not simply audition’s intentional objects or proper (specific to audition) objects. The intended analogy is with visual objects. Talk of auditory objects gestures at the visual processes involved in perceptually discriminating, attentively tracking, recognizing and categorizing ordinary material objects. What justifies talk of object perception in audition?