 An example surfacing a bit later serves both to reinforce the distinction between such non-rational enjoyments and the rational enjoyment of beauty and to introduce the distinction between the admiration of representative beauty for its own sake and that for the sake of the original. Enjoyment taken in the sight of a coin is enjoyment taken in its beauty only if it arises not from any thought of what the coin may buy, but merely from the contemplation of the design or form of the coin’s inscription. Whether in addition this is admiration of the coin’s representative beauty for the sake of the original depends on whether one recognizes the representative nature of the coin’s beauty. Because the coin is beautiful in virtue of its design or form, it is beautiful not in virtue of its material properties but in virtue of the effect that some mind has had upon it. But if the coin is beautiful in virtue of the effect of some mind upon it, this can only be because that mind is itself beautiful, the beauty of the coin being representative merely of the original beauty of that mind. Hence to admire the beauty of the coin (or the beauty of any material object) without acknowledging that its beauty merely shadows the beauty of the mind that designed it is to fail to admire representative beauty for the sake of the original (Cooper 1711 [2001, 225–226]).