 As is evident from the foregoing discussion, one can find in feminist philosophy avenues of thought that direct inquiry away from the worlds of art and to the presence of aesthetic features in lived experience. Art and aesthetic qualities are obviously not merely theoretical objects; they are cultural products with considerable authority to frame and to perpetuate social relations and values. Therefore feminist aesthetics contains a component where theories of interpretation are directed to particular works of culture. Such perspectives are poised to illuminate the changes in social institutions that are depicted in popular art forms such as literature and film, revealing the large-scale influence that aspects of the political feminist movement have had over marriage and family relations (S.T. Ross 2016). Aesthetic norms are not limited to art but extend into virtually all aspects of life, including dress, personal adornment, and comportment. With dress, for example, perceived aesthetic incongruity has political resonance, as with Muslim women who choose to wear the hijab in countries where such garb has not been a historical norm (Sheth 2009, 2019). Feminist perspectives extend to the aesthetic frames of lived experience and the subtle forces they exert (Archer and Ware 2018).