 (For an excellent overview of the authentic performance debate, see S. Davies 2001: 201–53. For an investigation of authenticity with respect to things other than instantiation of the work, see Kivy 1995, Gracyk 2001, and Bicknell 2015. Some recent work has, like the fundamentalist debate, taken a methodological turn, e.g., S. Davies 2008; Dodd 2010, 2015.)