 Van Camp (1980) holds that, for purposes of artistic judgment and appreciation at least, it is the case that sometimes the dance performer “creates”, and not just performs and interprets, the dance. The dancer, for example, often supplies structural and stylistic elements of a dance during the course of rehearsing and performing the piece that were not specified or provided by the choreographer. If these contributions are significant then what the dancer provides might be better understood as “creation” rather than “interpretation”, she maintains.