The subject matter of the final 25 paragraphs of the Encyclopaedia Philosophy of Spirit, Absolute Spirit, came to be expanded massively into the contents of three different lectures series on philosophy of art, religion, and history of philosophy given multiple times during Hegel’s decade in Berlin. Assembled and published in the years immediately following his death, these were the works through which Hegel was to become known as perhaps the most significant synoptic theorist of these cultural phenomena. Rather than to attempt to capture the richness of his thought here in a few paragraphs, which would be bound to be futile, I will simply try to allude to how this material is meant to draw upon the conceptual resources noted so far.