 Kant’s aesthetic theory has been extensively discussed within literary theory, where there has been particular emphasis on Kant’s theory of the sublime. See for example Weiskel (1976) and Hertz (1978), both of which interpret Kant’s account of the sublime in psychoanalytic terms, as well as the discussions of the Kantian sublime in de Man (1990) and Lyotard (1991 [1994]). Kant’s aesthetic theory more generally is discussed in Derrida (1975 [1981] and 1978 [1987]); while the work of Derrida and other deconstructionists has been largely ignored or dismissed by commentators within the analytic tradition of philosophy, it has been influential among literary theorists.