 As mentioned in the introduction to this entry, dance philosophers vary in terms of where within dance practice and performance they would like to focus their attention. Many philosophers who focus on dance as agency and intentional action are looking at the expert action involved in dance as art, although some consider agency and intentionality in social or other forms of dance. It is also the case that when considering dance as a form of expert action (akin to sports, say) that often technical and athletic prowess as well as artistic skills like expressivity or grace are the focus on analysis (see, e.g., Montero 2016). Among these are philosophers of art who are interested in questions of dance work identity, for purposes of historical identification and reconstruction among others. These, like McFee (2018), treat dance-relevant actions as part of what is needed to create and instantiate a dance work of art (dancework) with the focus being on the structure created by these actions. (For more on McFee’s account of dance and action see McFee 2011b, 2018 and forthcoming.)