  This objection rests on the claim that normal people do indeed feel  suspense on the second viewing of Psycho, but one might simply deny this claim. Perhaps audiences merely feel tension or  anticipation, but not suspense. As we shall see, this is precisely  what defenders of the emotional misidentification view say in  response to all reports of recidivist suspense. If the defender of the  entertained uncertainty view were to make a similar response to cases like that of Psycho—cases where one seemingly feels more suspense when the outcome is certain—she risks undermining the  support for her central claim that recidivist suspense is common.  The defender of entertained uncertainty would owe us a clear  explanation for why we should trust the phenomenology in some cases  and not in others. 