 Fanon’s move to Algeria in 1953 marks an important turning point in his thought. He continues to write on anti-blackness in select essays and occasions, but Fanon’s shift is deep and meaningful. Whereas Black Skin, White Masks was concerned exclusively with the structure of an anti-black world and how that world bears on the body and psyche of the colonized, Fanon’s time in Algeria and later travels to sub-Saharan Africa broaden his analysis. Instead of a question of blackness, colonialism becomes for Fanon a larger, more general question of the oppressed in the global south. The Wretched of the Earth is the boldest and most important expression of this shift, but the time he spends analyzing Algeria on its own terms reveals Fanon’s increasing sensitivity to difference inside the colonial experience. Also, many of his most important writings in this period were published in French language newspapers across the continent of Africa, in particular the Algerian National Liberation Front (FLN) newspaper El Moudjahid (for which he served on the editorial board), which hosts some of his most interesting reflections. This shift in his thinking, as well as some of the later points of emphasis and theoretical transitions, bolster Ato Sekyi-Otu’s argument in Fanon’s Dialectic of Experience (1997) that Fanon’s work ought to be read as a series of political experiences or stages in and at the basis of an unfolding of a long, complex system of thought.