 Traditionally, Kant’s aesthetics has been seen as most readily applicable to art of his time and (because of his apparent formalism) to abstract art of the modernist period. Costello (2013) argues for the applicability of Kant’s theory of aesthetics to conceptual art. For further recent discussions of the applicability of Kant’s aesthetics to contemporary art, including conceptual and post-conceptual art, see the essays collected in Cazeaux 2021.