 Earlier, the usage of “Confucius” as a metonym for Chinese traditional culture was introduced as a feature of the modern period. Yet the complexity of the philosophical views associated with Confucius—encompassing ethical ideals developed out of a sophisticated view of the effects of ritual and music on the performer’s psychology, robust descriptions of the attitudes of traditional exemplars across diverse life contexts, and the abstraction of normative behaviors in the family and state—is due in part to the fact that this metonymic usage was to some degree already the case in the Han period. By that time, the teachings of Confucius had gone through several centuries of gestation, and dialogues and quotations fashioned at different points over that time circulated and mixed. Put slightly differently, Confucius read the traditional culture of the halcyon Zhou period in a particular way, but this reading was continuously reflected and refracted through different lenses during the Pre-Imperial period, prior to the results being fixed in diverse early Imperial period sources like the Analects, the Records of Ritual, and the Records of the Historian. What remains is the work of the hand of Confucius, but also of his “school”, and even sometimes of his opponents during the centuries that his philosophy underwent elaboration and drift. This process of accretion and elaboration is not uncommon for pre-modern writings, and the resulting breadth and depth explains, at least in part, why the voice of Confucius retained primacy in pre-modern Chinese philosophical conversations as well as in many modern debates about the role of traditional East Asian culture.