 Discussion of auditory objects and accounts of their nature and perception is relatively new among philosophers (see, e.g., O’Callaghan 2008a, and essays in Bullot and Egré 2010, including Matthen 2010, Nudds 2010). Such work has led to the development of general accounts of perceptual objects designed to avoid visuocentrism (see, e.g., O’Callaghan 2016, Green 2019). This area is ripe for philosophical contributions.