The content and corresponding faculties of architectural experience likely include some mix of the cognitive, emotive, and sensual. Whereas an abstractist may claim that experience of architectural objects is solely a matter of intellectual grasp, even an anti-abstractist formalist needs the sensory as well to account for experience of concrete shapes. Abstractist intellectualism notwithstanding, accounts of architectural experience typically focus on multiple content modalities. Sauchelli (2012a) proposes the use of cognition in grasping pleasure (“intellectual pleasure”) as a central feature of architectural experience. The idea is that fully comprehending the pleasure of the experience and thereby establishing its aesthetic value requires cognition, in the form of attention to details and understanding of the architectural object. 