 McFee bolsters this account with his idea that artistic authorship of dance works of art is and should be attributable only to those who bear “responsibility” for these works (2018). This comes close to and yet stops short of equating dance-making credit for dances with intellectual property rights, where it is by no means the case (particularly in the U.S.) that those who create art are the ones taking credit and who are granted legal copyright in them. (For more on issues of authorship in dance and copyright see Kraut 2010, 2011 and 2016 and Van Camp 1994. For a book on dance, disability and the law see Whatley et al. 2018.)