 While the cultural property discourse began with a focus on material heritage (buildings, artifacts, etc.), it has expanded, particularly in response to increasing recognition of diverse indigenous cultures, to include discussion of stories, songs, styles, motifs, practices, and traditional knowledge (Carpenter, Katyal, &amp; Riley 2009: 1097). These additional elements, typically referred to as “intangible heritage”, present a further set of puzzles and questions for the concept of cultural property (Brown 2005).