To recapitulate: if (disinterested, contemplative) aesthetic responses are indeed irreconcilable with (interested, bodily) sexual responses, as so many philosophers of art in the past have thought, then there hardly remains any conceptual space for works that aim for both kinds of response. Yet, we do, as a matter of fact, have this longstanding tradition of erotic art, not just in the West but also in many non-Western cultures. How to account for this?