 But while Reid agrees with Hutcheson about what makes the sense of beauty internal, he disagrees with Hutcheson about what is “ingredient” to that sense (Reid 1785 [1969, 782]). Hutcheson, as Reid understands him, posits but one ingredient: an agreeable feeling or emotion resembling nothing in the object. But it is in restricting himself to this single affective ingredient, Reid thinks, that Hutcheson puts himself on the path to Lockean anti-realism with respect to beauty, since it may be thought that if the sensation of beauty consists merely in such a feeling it refers to nothing in the object, and if it refers to nothing in the object then it must refer merely to “the perception of some Mind” (Hutcheson 1726 [2004, 27]).