  Sartre draws a basic aesthetic implication from the thesis that meaning in the world depends on acts of consciousness: the fundamental aim of the work of art is to deliberately and consistently exert this uniquely human quality to introduce meaningful order and regularities into the world. Whereas in the “natural attitude” this happens without the agent’s awareness (in the form of natural perception, folk and scientific knowledge), in artistic practice the order, regularities, perspectives, and meaningful relationships are formalised, emphasised, systematised, and wilfully arranged. The simultaneous effect is to “reveal” significant features of the world and to gain a reflexive sense of being revealers of the world and ‘manifesting’ it. Thus, our sense of freedom is tremendously increased: