 The recent publication and translation into English of Fanon’s unpublished works, which range from letters to a draft of a play, will surely open up new dimensions of commentary. One of the signature features of Fanon-commentary is the creativity of the interlocutors who, if not doing lineage of influence textual study, have worked to interpret and extend Fanon’s ideas. Indeed, this is one of the more interesting features of Fanon scholarship, something Henry Louis Gates, Jr. famously described as Fanon’s function as a sort of Rorschach test—we see more in Fanon than is in the text. This is the fecundity of Fanon’s thinking, really. Books like Glen Coulthard’s Red Skin, White Masks (2014) and Hamid Dabashi’s Brown Skin, White Masks (2011) rewrite Fanon’s first work with an eye toward the similar-yet-different forms of colonial experience in indigenous North America (Coulthard) and the Middle East (Dabashi). Other writers such as Homi Bhabha, Nigel Gibson, Lewis Gordon, Richard Pithouse, and others have extended Fanonian categories and concepts to treat the experience of exile, migration, diaspora, African-American and Caribbean experiences, contemporary post-Apartheid South African struggles for justice, and so on. This kind of work underscores the fecundity of Fanon’s ideas, their elasticity and capacity for extending across historically and culturally diverse geographies. Such elasticity and capacity largely derives from Fanon’s attention to the colonized as a lumpen and revolutionary force, something to which he gives great descriptive and existential depth, rather than merely making an abstract ideological centerpiece. This attentiveness to the presence of deep resistance amongst the masses, even in the midst of profound and powerful forms of colonial oppression, is one of Fanon’s greatest contributions to revolutionary theorizing of the black Atlantic, global south, and racially marginalized populations. It is why Fanon’s work so exceeds page count and number of books. To have located and described the colonized subject under colonial domination with such precision and texture—this is Fanon’s gift to scholars, for sure, but more than that it is his gift to all who are engaged in radical struggle against racialized oppression.