 As a matter of fact, the objection could be turned on its head. On a train passing by, a trumpet player is delivering a concert. According to the distal view, the melody does not change, it is just perceived as changing. If we repeated the experience a number of times, we would find it suspect that the melody’s key drops only when the train passes by. Surely, we would infer, there is something wrong with the medium that blocks our perception of the true melody. And surely the train passengers would disconfirm our impression: they do not hear any key drop. The medial theory here indeed predicts that there are two melodies, the one that we hear from the platform, and the one the passengers hear.