 Nevertheless, Bell acknowledges, as did Shaftesbury, that the two emotions are often confused partly because in everyday speech the word “beauty” is used indiscriminately for items that fall in each of the two categories (beautiful works of art, attractive men and women). To prevent any further confusion, he insists therefore on using the word “significant form,” instead of beauty, for the combination of lines and colors that produces the aesthetic emotion. (Shaftesbury, one will recall, was revisionist in the opposite direction, refusing to employ the word beauty for that which is merely desirable.)