 Meinong distinguishes two ontological notions: subsistence and existence. Subsistence is a broad ontological category, encompassing both concrete objects and abstract objects. Concrete objects are said to exist and subsist. Abstract objects are said not to exist but to subsist. The talk of abstract objects may be vaguely reminiscent of actualist representationism, which employs representations, which are actual abstract objects. At the same time, for Meinong, the nature of an object does not depend on its being actual. This seems to give objects reality that is independent of actuality. Another interesting feature of Meinong’s theory is that it sanctions the postulation not only of non-actual possible objects but also of impossible objects, for it says that ‘The round square is round’ is a true sentence and therefore its subject term stands for an object. This aspect of Meinong’s theory has been widely pointed out, but non-trivial treatment of impossibility is not confined to Meinongianism (Lycan &amp; Shapiro 1986). For more on Meinong’s theory, see Chisholm 1960, Findlay 1963, Grossmann 1974, Lambert 1983, Zalta 1988: sec.8. For some pioneering work in contemporary Meinongianism, see Castañeda 1974, Rapaport 1978, Routley 1980. We shall examine the theories of two leading Meinongians: Terence Parsons and Edward Zalta. We shall take note of some other Meinongians later in the section on fictional objects, as their focus is primarily on fiction. Parsons and Zalta not only propose accounts of fictional objects but offer comprehensive Meinongian theories of objects in general.