 Kant wishes to oppose this Leibnizian attitude toward sensibility—which he goes on to label an “entirely unjust perspective” (A44/B62)—in a general but thoroughgoing way in the Aesthetic and elsewhere in the Critique. In the Amphiboly, for instance, he complains that Leibniz “left nothing for the senses but the contemptible job of confusing and upsetting the representations” of the understanding (A276/B332). Thus Kant does not merely think that we have a non-empirical, singular, immediate representation of space. He thinks—if we borrow Leibnizian terminology—that our clear and distinct representation of space is singular and immediate. For Kant, intuition can be a genuine source of clear and distinct representations.