 That points to what he called “the whole together”, that is “a general subordination of objects one to another, as makes them all concur to constitute but one”, for the utmost satisfaction of the eye (1708 [AT: 312]). The same lesson can be drawn from Antoine Coypel’s writings, where “the excellence of painting” is no longer separate from “the aesthetic of the painter”. His nomination as Academy’s Director in 1714 was the sign that a page had been turned.