 Whilst the general approach fostered by both Currie and Davies is clearly congenial to some aspects of conceptual art, it might nevertheless still be the case that further work needs to be done if the view that artworks are basically event- or action-types is to accommodate all art in the conceptual tradition. Further questions include what role, if any, is played by the (set of) material thing(s) that many conceptual artists undeniably do present us with. What, in other words, are we to make of the object (be it a human body or a video-recording) that is supposed to transmit the idea which, in turn, is said to be the genuine artwork? A good philosophical explanation needs to be given as to how the material thing that is regularly presented to the audience is, in fact, relevant to the artwork itself. Is the vehicular medium constitutive of the artwork, and if so, how exactly does that square with the claim of de-materialisation?