Mag Uidhir’s approach is markedly different from Scruton’s and Levinson’s. Still, regarding the central issue, he aligns himself squarely with other sceptics. He, too, thinks that artists or pornographers attempting to produce something that is both (erotic) art and pornography, in fact attempt the impossible.  However, recent critics of Mag Uidhir have raised doubts about his second premise (Davies 2012; Patridge 2013), as well as the general validity of his argument (Maes 2012). These critics belong to a growing number of philosophers who find exclusivists” arguments unconvincing and argue for the existence of pornographic art as a subclass of erotic art (Kieran 2001, van Brabandt and Prinz 2012, Fokt 2012).