Like science and ethics, art breaks with the immediacy of our everyday practical engagements that dominates the more common forms of reflection (GW 11: 207, 214). Aesthetic reflections of reality, however, differ from science (or, more generally, from conceptual and theoretical reflections) in three regards: First, while scientific knowledge presupposes a “deanthropomorphization” of the subject matter (meaning that reality is presented as independent from human desires or subjectivity), aesthetic subject matter remains anthropomorphized as far as art presents reality in the form of inner experience. Thus, aesthetic representation always remains connected to a possible “evocation” of reactions of a human subject (GW 11: 438). Second, while science is always conceptually mediated, art breaks with the immediacy of everyday life in favor of a new immediacy of experience (GW 11: 237, 509, 513). And third, while science reflects reality in the form of general laws, aesthetic representation is always bound to represent universal aspects of the essence of reality in the form of the individuality (or specificity) of the work of art (Lukács’ term for individuality is Besonderheit, a concept which he takes up from Hegel’s Science of Logic where it describes the dialectical sublation of both generality and particularity within the “notion”).