 These meta-reflections inform relativist (perspectival or pluralist) and skeptical themes in the inner chapters of the Zhuangzi. The style furthers both themes. Rather than speaking with an authorial voice, the text is filled with fantasy conversations between perspectives, including those of millipedes, convicts, musicians and the wind. A Zhuangzi reflective passage is more likely to end with a double rhetorical question (“is it … or isn’t it … ?”) than a strong conclusion. 