 (c) Schleiermacher also identifies a number of further challenges that commonly exacerbate the difficulty of translation. For example, he notes that in the case of poetry it is necessary to reproduce not only the semantic but also the musical aspects of the original, such as meter and rhyme—and this not merely as a desideratum over and above the main task of reproducing meaning, but also as an essential part of that task, because in poetry such musical features serve as essential vehicles for the precise expression of meaning. And he argues that in addition to reproducing meaning a translation should attempt to convey to its readership where an author was being conceptually conventional and where conceptually original—for example, by using older vocabulary from the target language in the former cases and relative neologisms from it in the latter. But he also notes that in both of these connections the added requirement or desideratum involved will frequently stand in tension with that of finding the closest semantic fit—since, for example, it will turn out that the word that would best reproduce a rhyme or best reflect a concept’s vintage is not the one that is closest in meaning to the word in the original.