  While the advocates of sensibility theory can be elusive about crucial details of their program, they seem to hold that their view can capture all value. Wiggins (1976: 95) adopts a generic FA theory that aims to include all evaluations—as good or bad, beautiful or ugly, ignoble, brave, just, disgusting, amusing, etc. (He excludes what he calls directive judgments, such as “this is to be done.”) But he also conceives each of these value properties as being associated with a specific response or reaction, as the funny is associated with amusement. Through a process of refinement, some value properties eventually become detached from independently identifiable responses, but they will still be paired with something worth calling a reaction. Although these “further properties that lie at a progressively greater distance from specific kinds of affect” (Wiggins 1987: 196–7) cannot be paired with distinct sentiments, they will still be constrained by human emotional capacities. It seems strange that the sensibility theorists say so little about the disparity between these various evaluative properties—between, say, the funny and the just. All such values are claimed to be coeval with responses, in that the response is not logically or psychologically prior to the property. But the plausibility of this claim varies depending on the “distance” of the value from the sentiment, and the differences among sentiments.