 The spectator’s experience of this phenomenon has been called “inflected seeing in”, and both the phenomenon and the experience have received considerable attention, both from philosophers who maintain that depiction can be defined in experiential terms, and from those who doubt or deny this. Lopes (2005a) makes the interesting claim that inflection solves the puzzle of mimesis: in other words, it explains why we value or enjoy seeing pictures of kinds of objects that we do not value or enjoy seeing face-to-face (The seminal treatment of this problem is in Aristotle’s Poetics (Book IV). Noteworthy discussions of inflection include Hopkins 2010, Nanay 2010, and Voltolini 2013. Broader discussions of the kinds of pictorial experience that pictures in different styles can elicit include Lopes 2005a, Cavedon-Taylor 2011, Newall 2011, and Bradley 2014.)