 An additional difficulty is that since the research domain of dance studies is more thoroughly interdisciplinary, and sometimes transdisciplinary, than that of those of us working under the constraints of philosophy departments and their research guidelines (where tenure is dependent on publishing in traditional philosophy journals, for example) it is not always easy to identify the philosophy and philosophy-relevant discourses within it. Indeed, it is often the case that dance philosophers who are multi-methodological, notably Sondra Horton Fraleigh and Maxine Sheets-Johnstone, have rich philosophical insights that are erroneously overlooked or misunderstood, especially in those places where their writing deviates from that of traditional philosophy (see also Erin Manning’s process philosophy [2013]). It is also the case that some scholars who work in dance rather than philosophy departments, like Anna Pakes, an analytic dance philosopher, do adhere to the disciplinary boundaries of academic philosophy and yet their work that is published in dance studies rather than philosophy books and journals can pass by unnoticed. 