 The connection between aesthetic judgment and moral feeling is a persistent theme in the Critique of Judgment. As noted in  Section 2.3.4  above, some commentators take the demand for universal validity made by a judgment of beauty to amount to a moral demand, so that Kant’s argument for the universal validity of such judgments depends on an appeal to morality. A more common view, however, is to see judgments of beauty not as grounded in morality, but rather, along with judgments of the sublime, as contributing to an account of moral feeling, and hence of how morality is possible for human beings (for a clear statement of the contrast between these views, see the introduction to Guyer 1993).