 The right of divulgation, when and if an intellectual work is placed before the public, is grounded in justified possession or prior entitlements over the work in question and the wrongness of compelling speech.  A central wrong-making feature of violating the rights of attribution and integrity is that, in the typical case, a kind of misrepresentation or fraud occurs. For example, when Smith changes a painting by Jones without notice, there is a misrepresentation being offered. As with attribution and integrity, the right of withdraw could be protected by contracts that determine the downstream uses of intellectual works.