 If, however, sounds are properties attributed either to ordinary objects, as Pasnau (1999) and Kulvicki (2008) hold, or to events, as Leddington (2019) holds, then hearing a tuba or the playing of a tuba might only require hearing its sounds. Perceptually ascribing such audible attributes to their sources might ground epistemically unmediated awareness of tubas or their playings.