 As for the features that an artwork appears to exemplify despite its not, literally, possessing them (as when, for instance, a painting is claimed to express sadness in spite of the fact that paintings cannot literally be sad) Goodman claims that such features are metaphorically exemplified, or expressed. In brief, a work of art expresses something when it metaphorically exemplifies it. Accordingly, expression is not limited to feelings and emotions but comprises any feature that can be metaphorically attributed to an artwork: in architecture, for instance, a building may express movement, dynamism, or being “jazzy” although, literally, it can’t have any of those properties (Goodman, Elgin 1988, 40).