 Even if one does not find a systematic development of ethics in the few articles that Henry explicitly devotes to this subject, it is nonetheless possible to use these writings as a foundation for an ethics from the standpoint of his phenomenology of life. Given the emphasis that Henry puts on the fundamental nature of life as affectivity as well as the tendency toward a forgetting of life’s essence, it seems consistent to ascribe to ethics the task of unmasking and, if possible, overcoming such forgetting. In this sense, Henry’s ethics could be termed an “ethics of affectivity” (Seyler 2010). Among the possible angles that allow for further development with regard to ethics in Henry’s writings, the three following stand out: 1) the idea that art is intrinsically ethical; 2) the critique of contemporary culture through the concept of “barbarism”; and 3) the concept of religion as developed by Henry’s philosophy of Christianity.