 Some contemporary philosophers of dance such as Barbara Montero (2006a, 2006b, 2012, and 2013) use research in cognitive science and in neuroscience in order to ascertain the answers to why audience members report feeling kinesthetic responses such as a quickening heart rate and certain tensions along with more mysterious feelings in their muscles and nervous systems. (For more on how dance philosophy incorporates approaches from cognitive science in these and other areas see  Section 4,  below. See also Bresnahan 2017b; Reason and Reynolds 2010; Sklar 2008; and Smyth 1984 for more on kinaesthetic response to dance.)