 There is an influential discussion of beauty as the symbol of morality in T. Cohen (1982). Much of Guyer’s work on the third Critique subsequent to his 1979 has emphasized the connection between aesthetics and morality, and in particular the role of aesthetics in supporting the human moral vocation. As noted in  Section 1,  a number of commentators have seen unity of the Critique of Judgment in terms of moral teleology, and their work offers further discussion of the relation between aesthetics and morality; see  Section 1  for references.