 If ‘everyday’ is characterized as the familiar, ordinary, commonplace, and routine, regardless of the specific content that varies from people to people depending upon their lifestyle, occupation, living environment, and other factors, what makes its aesthetic appreciation possible? The following response dominates everyday aesthetics discourse: the aesthetic appreciation of everyday life requires defamiliarization, making strange, or casting an aura. Because we are most of the time preoccupied by the task at hand in our daily life, practical considerations mask the aesthetic potential of commonplace objects and ordinary activities. Furthermore, such experiences lack any coherent structure consisting of unity, pervasive character, and a clear beginning and an end. In short, according to Dewey, our everyday humdrum proceeds mechanically without any internal organic evolution, hence “anesthetic.” Only when we have an experience with all the structural requirements fulfilled does our everyday life gain aesthetic merit. Once we have an experience with a different attitude and perceptual gear and/or a cohesive internal structure, we can unearth latent aesthetic values in the most ordinary and routine. This view can be interpreted as a faithful application of the claim made by the aesthetic attitude theory that theoretically anything can be an object of aesthetic experience. Mundane objects can acquire a kind of ‘aura’ that heightens their aesthetic value (Leonhardt 1985; Tuan 1993; Visser 1997; Gumbrecht 2006; Leddy 2008, 2012a; Al Qudowa 2017). According to this interpretation, what is new about everyday aesthetics is its illumination of those aspects of our lives that are normally neglected or ignored because they are eclipsed by standout aesthetic experiences we often have with works of art and nature. More careful attention and a different mindset can reveal a surprisingly rich aesthetic dimension of the otherwise mundane, non-memorable, ordinary parts of our daily life. Many works of art are helpful in guiding us through the morasses of everyday life toward a rewarding aesthetic experience (Dillard 1974; Prose 1999; Stabb 2002; Martin 2004, Leddy 2012a; Nanay 2016, 2018). This trajectory of everyday aesthetics is welcomed by a number of thinkers for its contribution to enriching life experiences, encouraging mindful living, and facilitating happiness without problematic consequences that often accompany a hedonistic lifestyle (Irvin 2008b; Shusterman 2013; Melchionne 2014; Leddy 2014b).