 Perhaps a final challenge to intrinsic property views can be derived from the work of Judith Butler (1997). On Butler’s account, hate speech is a kind of performative that is “always delivered twice-removed, that is, through a theory of the speech act that has its own performative power” (96). More specifically, “[w]hat hate speech does … is to constitute the subject in a subordinate position” (19). Butler locates the trouble with hate speech in its perlocutionary effects, a concept introduced by J.L. Austin that refers to the effects a speech act can have on its audience. An example of a perlocutionary effect is feeling amused at a joke or frightened from the telling of a ghost story. Unlike with intrinsic property definitions, Butler shifts focus to the nature of the acts performed rather than the terms in use. (For a critical look at Butler’s account, see Schwartzman (2002).)