  One of the most surprising features concerning the reception history of the Dialoghi is that a work of Jewish philosophy would subsequently become a European bestseller among non-Jews. In the years immediately following its Italian publication, the Dialoghi was translated into virtually every European vernacular. This popularity might be the result of the prominent role that grace (grazia) plays in the Dialoghi or the fact that Judah frequently stresses the interlocking relationship between the corporeal and the spiritual, something that seems to have resonated with contemporaneous Christian treatments of the incarnation in literary  fiction.[67]