 A distinctive set of harms enters the picture when, as is increasingly common, women and girls are violated while unconscious, often with pictures or videos taken and circulated. As Kelly Oliver points out, “lack of consent is valorized within popular culture to the point that sexual assault has become a spectator sport and creepshot entertainment on social media … sex with unconscious girls, especially accompanied by photographs as trophies, has become a goal of some boys and men” (2016, 59–60). In such cases, Oliver observes, “The trauma of victimization not only becomes public but also infinitely repeatable. It can go viral. It doesn’t go away” (91). Cressida Heyes (2016) provides a phenomenological account of the devastating harms of raping an unconscious victim. Raping someone who is unconscious, Heyes contends,