 More than Daly, Luce Irigaray’s writings have proved to be a provocative stimulus for a number of feminist philosophers of religion (Anderson 1998; Deutscher 1994, 1997; Hollywood 1994, 1998; Jantzen 1999). Both a philosopher and a psychoanalyst, Irigaray aims to recuperate the repressed feminine. Her chief themes are (1) the “sensible transcendental”, which performs a similar function as Derrida’s “finite infinite”, (2) sexual difference as paradigmatic of difference in itself, and (3) divinity and spirituality as significant feminist requirements to ground female subjectivity. Irigaray conceptualises the female divine as a “sensible transcendental” that is both flesh and word (Irigaray 1984 [1993a: 115, 129]). Reversing traditional incarnational doctrine, she speaks of flesh made word instead of word made flesh. 