  The first publications of some edited texts of Herculaneum papyri were in the series Herculanensium Voluminum quae supersunt. Tomus I-XI, Naples: Regia Typographia 1793–1855, the so-called ‘Collectio prima’ (VH). These were followed by publications in two volumes of some of the drawings made for William Hayter in Naples between 1802 and 1806: Herculanensium Voluminum Pars Prima, Oxford: Clarendon Press 1824 and Pars Secunda, Oxford: Clarendon Press 1825. The drawings present in the Officina dei Papiri in 1806, when Hayter took them away, and now kept in Oxford’s Bodleian Library, are known as the O disegni; they can be viewed in digital photographs via the website of the Friends of Herculaneum Society (see Other Internet Resources: Online Texts, below). These drawings were replaced in Naples with new drawings, and others were made as new papyri were opened (’N disegni’, dating from post-1806; earlier drawings of PHerc. 1008, 1424, 1674, 1675 which were in the hands of the Greek scholar Pasquale Baffi at the time of his execution for participation in the Parthenopean Revolution of 1799, still exist in Naples, alongside those made later of the same papyri). The majority of the drawings kept in Naples were engraved and published in the series Herculanensium Voluminum quae supersunt. Collectio altera, Naples: Museum Publicum 1862–76 (VH2), and it was in those volumes that most of the texts became known to scholars; only one volume was published of a third collection, Herculanensium Voluminum quae supersunt. Collectio tertia, Milan: Hoepli 1914.