 According to Peacocke (1987: 386–388), a design or configuration of marks on a surface depicts a certain kind of object φ if, and only if, it is successfully designed to occupy a region of the spectator’s two-dimensional visual field that she experiences as similar in shape to a region in which a φ could be presented, but without being experienced (as a sculpture representing a φ might be) as occupying a three-dimensional region of physical space similar to one which could be occupied by a φ. The details of Peacocke’s account have been criticized (see Hopkins 1998a; Budd 2008b; Voltolini 2015), but his appeal to experienced resemblance in the explanation of depiction proved influential.