 In 1851, Schopenhauer published a lengthy and lively set of philosophical reflections entitled Parerga and Paralipomena (appendices and omissions, from the Greek), and within a couple of years, he began to receive the philosophical recognition for which he had long hoped. The recognition was stimulated by a favorable review of his philosophy (“Iconoclasm in German Philosophy,” by John Oxenford) published in 1853 without signature in the influential Westminster Review, which at the time was under the editorial guidance of George Eliot (Mary Ann Evans).  The review acknowledged the centrality of “Will” within Schopenhauer’s outlook and drew insightful parallels between Schopenhauer’s and Fichte’s more well-known thought. A year after the third edition of The World as Will and Representation appeared with further revisions in 1859, Schopenhauer died peacefully on September 21, 1860, in his apartment in Frankfurt at Schöne Aussicht 16. He was 72. After his death, Julius Frauenstädt (1813–1879) published new editions of most of Schopenhauer’s works, with the first complete edition (six volumes) appearing in 1873. In the 20th century, the editorial work on Schopenhauer’s manuscripts was carried forth in authoritative depth by Arthur Hübscher (1897–1985).