 We can start with the Greeks, and this means starting with Homer, a body of texts transmitted first orally and then written down in the seventh century BCE. So what does the relation between morality and religion look like in Homer? The first thing to say is that the gods and goddesses of the Homeric poems behave remarkably like the noble humans described in the same poems, even though the humans are mortal and the gods and goddesses immortal. Both groups are motivated by the desire for honor and glory, and are accordingly jealous when they receive less than they think they should while others receive more, and work ceaselessly to rectify this. The two groups are not however symmetrical, because the noble humans have the same kind of client relation to the divinities as subordinate humans do to them. There is a complex pattern that we might call ‘an honor-loop’ (see Mikalson, Honor Thy Gods). The divinities have their functions (in Greek, the word is the same as ‘honors’), such as Poseidon's oversight of the sea, and humans seek their favor with ‘honor’, which we might here translate as ‘worship’. This includes, for example, sanctuaries devoted to them, dedications, hymns, dances, libations, rituals, prayers, festivals and sacrifices. In all of these the gods take pleasure, and in return they give ‘honor’ to mortals in the form of help or assistance, especially in the areas of their own expertise. There is a clear analogy with purely human client-relations, which are validated in the Homeric narrative, since the poems were probably originally sung at the courts of the princes who claimed descent from the heroes whose exploits make up the story. The gods and goddesses are not, however, completely at liberty. They too are accountable to fate or justice, as in the scene in the Iliad, where Zeus wants to save Hector, but he cannot because ‘his doom has long been sealed’ (Iliad, 22: 179).