 One question raised in connection with Kant’s account of fine art concerns the relative importance, for Kant, of artistic and natural beauty. Guyer (1987) takes Kant to be committed to the primacy of natural beauty, and argues that that commitment is defensible; Kemal (1986) offers grounds for holding that, in spite of appearances, it is artistic beauty which is primary for Kant. (The reprint of Guyer 1987 as ch. 7 of Guyer 1993 includes a postscript challenging Kemal’s arguments.) Other commentators who have argued for the primacy of artistic over natural beauty include Rueger (2007) and Ostaric (2010). Friedlander (2015: ch. 3) maintains that neither has primacy over the other. Another question is whether Kant has a single account of beauty which is intended to apply to both natural objects and works of art; Reiter and Geiger (2018) and Halper (2020) argue, although on different grounds, that Kant has two different accounts for nature and art respectively.