 [W]hoever wishes to reject moments [i.e., tropes] must of course give an account of those cases where we seem to see and hear them, cases we report using definite descriptions such as ‘the smile that just appeared on Rupert’s face’. This means that he must claim that in such circumstances we see not just independent things per se, but also things as falling under certain concepts or as exemplifying certain universals. On some accounts…it is even claimed that we see the universal in the thing. But the friend of moments finds this counterintuitive. When we see Rupert’s smile, we see something just as spatio-temporal as Rupert himself, and not something as absurd as a spatio-temporal entity that somehow contains a concept or a universal.