  Artistic creation is only one example of such poiesis, as Nishida called it. Scientific experimentation also provides an example of enactive intuition insofar as experiments require the performance of a body acting and understanding through instruments (NKZ VIII, 326).  Enactive or performative intuition is operative in praxis or political-social action as well, insofar as it grasps the world as including the self. Nishida emphasized that enactive intuition is a bodily achievement, the performance of an embodied individual who in turn is formed by the world; again, both body and world must be conceived as historical.  While enactive intuition pertains to the dialectical way the individual historical body forms and is formed by the world, the way the world forms, once again, is described by the phrase “from the created to the creating.”