 Meinong showed a strong inclination to music, practically as well as theoretically. He performed chamber music in a proficient way (the piano and especially the violin), was an amateur composer (mainly of Lieder) and took an interest in theoretical questions concerning music (for example, he was engaged in discussions with Guido Adler, Christian von Ehrenfels, Stephan Witasek, and Joseph Marx, and he wrote reviews of Carl Stumpf’s Tonpsychologie, Vol. I and II).