While not everyone will take the aesthetic recuperation of the erotic as far as Shusterman and Nehamas, very few philosophers today will deny the existence and aesthetic legitimacy of erotic art. So, does this mean that the wall between the sexual and the aesthetic has been torn down? Not entirely. It seems more accurate to say that the battle lines have been redrawn. The suspicion towards the erotic may have largely subsided in contemporary aesthetics, but it has been replaced by a very pronounced scepticism of the pornographic. Many philosophers of art, including Roger Scruton, Jerrold Levinson, and Christy Mag Uidhir, deny that there is (or can be) such a thing as pornographic art. In other words, they advocate a strict divide between erotic art and pornography. Some of their scepticism, one cannot fail to notice, bears a significant resemblance to the earlier resistance against erotic art.