 This entry focuses almost exclusively on work in the philosophy of music that is recent—from within the last fifty years—and in an analytic vein (broadly construed). For a much broader introduction to philosophy of music, covering its history, major figures, connections with other disciplines, and a wider range of topics, see Gracyk &amp; Kania 2011. Useful single-author overviews include Scruton 1997, Kivy 2002, and Hamilton 2007.