 Embodiment and visibility are central to these views. Gordon understands the body as “our perspective in the world,” which occurs along (at least) three matrices: seeing, being seen, and being conscious of being seen (1997, 71). In an antiblack world this means that the Black body is a form of absence, going unseen in the same manner as Ralph Ellison’s protagonist in Invisible Man (1997, 72–3). George Yancy tells us that he writes from his “lived embodied experience,” which is a “site of exposure” (2008, 65). Black embodiment here is the lens used to critique whiteness and its normative gaze. For Yancy, Black resistance itself decodes and recodes Black embodied existence, affirming the value of the Black body in the face of centuries of white denial (2008, 112–3).