 As internalist as Dewey’s approach to aesthetic experience is, and as much as he emphasizes the distinction between an art product as a physical thing and the artwork as an experienced thing, Dewey also presents a detailed examination of the formal features of aesthetic objects similar to those carried out by numerous other philosophers of art. Dewey states that aesthetic experience has “objective conditions” (AE: 68): not all objects and environments inspire the kind of interaction that he thinks constitutes an aesthetic experience. His analysis of “aesthetic form” is an attempt to capture these conditions. Similarly to his understanding of aesthetic experience as dynamic and developing rather than as a clear-cut sense perception, Dewey seeks to bring out the livelier sides of form. Aesthetic form is something that “enhance[s], prolong[s] and purif[ies] perceptual experience” (EN: 292).