Such immediate, involuntary judgments arise upon the “complete [or perfect] representation of the object [of the judgment]”: “the beautiful is the effect of complete [or perfect] representation” (Weiss 1928: 110). By “complete representation”, Herbart means the kind that arises of itself in the utterly non-partisan observer, moved by the object alone. A beautiful object will necessarily find favor, an ugly object distaste, for it appears clearly to one free “of the disturbing pressures and demands of the will” (SW III: 526). In short, aesthetic judgment depends on a contemplative state of ataraxic indifference or will-less-ness (Willenlosigkeit) (cf. SW II: 335; Beiser 2014: 126).