 This mode of writing is often classified as “aphoristic”, and Nietzsche is rightly granted an honored place within the distinguished lineage of that form in German philosophy, which goes back at least to Georg Lichtenberg’s Waste Books. Lichtenberg wrote his fragments for himself rather than the public, but the strategies he developed nevertheless made a serious impact. His aphorisms revealed how the form could be extended from its essentially pedagogical origins (providing compressed, memorable form for some principle or observation) into a sustained, exploratory mode of reasoning with oneself. Schopenhauer was a particular admirer, and his pursuit of the form (especially in Parerga and Paralipomena) clearly influenced Nietzsche’s use of the technique to frame his psychological observations—(the French moralistes were also an important influence; see Pippin 2010).