 Among these works, and numerous others attributed to Vasubandhu in the Tibetan and Chinese canons, one finds countless perspectives and approaches represented, and many scholars are skeptical as to the unity of the authorship even of the works listed. Many, however, still find it sensible to assume that Vasubandhu worked in various genres and schools, and adopted the norms of each, developing his own thinking along the way. Yet no narrative of Vasubandhu’s intellectual development has achieved scholarly consensus.