In this debate, architecture would seem a promising domain in which to find robust relations. At a moralist extreme, there is the suggestion—supported by some traditions in architectural theory (Pugin 1841, Ruskin 1849)—that aesthetic tasks in architecture simply are ethical tasks, reflecting ethical choices.  One prominent moralist perspective locates the ethical element of aesthetic architectural choice in obligations to a sort of honesty, in designing works that accurately represent underlying structural principles or operational capacities. Harries (1997) and Scruton (1979/2013) arrive at similar ethical commitments to architectural design as expressive in a particular fashion, though of shared community values, rather than of function or structural features. From another angle, moralists point to the emotional impact of built environments as indicative of a union of the aesthetically gripping and morally compelling (Ginsburg 1994), though it may be noted that even where we detect such a union we need not judge the aesthetics of the architectural object on the basis of any ethical import so communicated.